Home » Search Center » Results: Blue Note Records
Results for "Blue Note Records"
Horace Silver: Finger Poppin'
by Samuel Chell
Finger Poppin' (1959) followed Silver's most under-appreciated (and perhaps most ambitious) Blue Note date, Further Explorations (1958). The cast is different (though the fiery Louis Hayes remains on drums), but the compositions and arrangements by Silver are no less artful and the soloists as inspired as the frontline of Art Farmer and Clifford Jordan from the ...
Art Farmer: Brass Shout / The Aztec Suite
by Chris M. Slawecki
Brass Shout / The Aztec Suite combines two Art Farmer releases: Brass Shout, arranged by his longtime associate, Benny Golson, and The Aztec Suite, including its famous panoramic title track, arranged by Chico O'Farrill. Combining these two titles, both from 1959, creates an expansive survey of jazz, Latin jazz, and pop played as jazz. ...
Horace Silver: Live at Newport '58
by Stuart Broomer
From his first recordings with the Jazz Messengers in 1954, Horace Silver's values as pianist, bandleader and composer have been clearly evident: buoyant swing propelled by strong riffs and ensemble drive, along with expressive, edited-in-advance solos. There's a kind of controlled enthusiasm at the center of Silver's music, a slightly formal celebration that owes much to ...
Jimmy Smith: Plays Fats Waller
by Chris M. Slawecki
Fats Waller, whose rollicking contributions have enlivened the American songbook since the 1930s, once wrote, “Well, I really love the organ. I can get so much color from it than the piano that it really sends me." About a generation later, Jimmy Smith fell in love with the Hammond B-3 organ. Here in the ...
Blue Note 70th Anniversary Celebration
by Jim Santella
Blue Note 70th Anniversary Celebration UCLA, Royce Hall Westwood, California January 22, 2009 The Blue Note sound has been at the core of modern jazz for generations and remains the vital quality that has made collectors out of all of us. Who can forget Horace Silver's “Jody Grind," Bud ...
Eddie Henderson: Heritage
by Stuart Broomer
Trumpeter Eddie Henderson has been moving in and out of jazz since the '60s, combining parallel careers as a musician and psychiatrist. In that time he's applied his strongly lyrical playing to both acoustic post-bop and fusion settings, but his greatest celebrity has definitely come from his credits on the electric side. In the early '70s ...
Blue Note at 70
by Joel Roberts
No label in jazz can match the history and legacy of Blue Note Records. Since its founding in New York in 1939 by German emigre Alfred Lion, Blue Note has been associated with an amazing assortment of jazz luminaries including Horace Silver, Art Blakey, Jimmy Smith, Lee Morgan, Freddie Hubbard, Joe Henderson, Herbie Hancock, Wayne Shorter, ...
Aaron Parks: Invisible Cinema
by Laurel Gross
While he only just passed his 24th birthday in October 2008, the gifted Aaron Parks has been appreciated by New Yorkers for quite some time. He's been paying his dues in local clubs for years and has distinguished himself further--enhancing his reputation as a pianist of excellence--as a former member of Terence Blanchard's notable Flow sextet, ...
Eliane Elias: Bossa Nova Stories
by Andrew Velez
I thought I never needed to hear another version of “The Girl from Ipanema." Ever. Herewith my appreciation to Eliane Elias for proving me wrong. Bossa nova turns 50 this year, hearkening back to Brazil in 1958, when guitarist Joao Gilberto recorded Jobim and de Moraes' seminal “Chega de Saudade." Characterized by samba-derived ...
Lou Donaldson: Lou Takes Off
by Andrew Velez
A cadre of young musicians, each who would, in time, evolve into a master, is caught as they begin to shine early on for this fireball 1957 set. A thinly disguised take on Cole Porter's “What Is This Thing Called Love?" is the opening tune, altoist Lou Donaldson's “Sputnik." It launches matters at full throttle, with ...
