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8

Article: Album Review

Van Morrison: Born to Sing - No Plan B

Read "Born to Sing - No Plan B" reviewed by C. Michael Bailey

by C. Michael Bailey

When Ray Charles died in 2004, he left only one artist (two if you count Willie Nelson) with a comparable musical vision and depth and breadth of creative reach: Van Morrison. For 40 years, Morrison has surveyed the spectrum of American music, just as Charles had. Morrison passed blues, soul, R&B, rock, country, jazz and folk ...

2

News: Contest

Enter the Best of Blue Note Festival Ticket and CD Giveaway at All About Jazz!

Enter the Best of Blue Note Festival Ticket and CD Giveaway at All About Jazz!

Jazz at Lincoln Center hosts the Best of Blue Note Festival November 13-18 in New York City, and one lucky winner will receive a pair of tickets to the Saturday, November 17th The Best of Blue Note performance (8pm at Rose Theater), while another lucky winner will receive 10 CDs from the Blue Note Records catalog ...

8

Article: Album Review

Herbie Hancock: Inventions and Dimensions

Read "Inventions and Dimensions" reviewed by Greg Simmons

by Greg Simmons

Recorded in August of 1963, pianist Herbie Hancock's Inventions and Dimensions puts pulsing, grooving rhythms at the center of the music, with Latin percussive elements and--in the best jazz tradition of the times--lots of blues. This isn't Hancock's most well-known date from his tenure at Blue Note, but it's an important recording for both its structural ...

3

News: Technology

Blue Note Records Launches Innovative New Spotify App

Blue Note Records Launches Innovative New Spotify App

EMI Music’s legendary Blue Note Records has announced the launch today of an innovative new app within the popular online music streaming service Spotify. The Blue Note app provides a rich user experience by creating a space to explore and discover music spanning the entire history of the label from 1939 to present. The app traces ...

2

Article: Album Review

Lionel Loueke: Heritage

Read "Heritage" reviewed by Ernest Barteldes

by Ernest Barteldes

On Heritage, Benin-born Lionel Loueke takes a more electric approach than on previous releases, which mostly featured his acoustic, nylon-string guitar. This change is immediately felt on the opening “Ifê," beginning with the muted notes of an acoustic steel-stringed guitar whose sound resembles a kalimba (thumb piano). Loueke is backed solely by his trio (rounded out ...

5

Article: Album Review

Lionel Loueke: Heritage

Read "Heritage" reviewed by Franz A. Matzner

by Franz A. Matzner

Lionel Loueke's Heritage deftly intertwines modern jazz constructs with traditional African themes in a highly personal exploration of these two cultural streams which define Loueke's upbringing and musical identity. The result is a gracious, elevating and welcoming sound that still challenges preconceived notions.Thoughtfully composed, the album's ten pieces together present an intimate--sometimes philosophical--complex musical ...

5

Article: Album Review

Lionel Loueke: Heritage

Read "Heritage" reviewed by Mark F. Turner

by Mark F. Turner

Lionel Loueke's two previous Blue Note recordings--Karibu (2008) and Mwaliko (2010)--displayed his usual virtuosity as a guitarist/vocalist who links his West African Beninese musical roots with a modernist jazz outlook that is uniquely his own. On Heritage, he's assembled new musicians and hooks up with innovative pianist Robert Glasper, who coproduced and performs on the album. ...

5

Article: Behind the Lens With...

Behind the Lens with C. Andrew Hovan

Read "Behind the Lens with C. Andrew Hovan" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Meet C. Andrew Hovan: A devoted jazz fan since my school days, I have had the great advantage of combining many of my loves in a variety of creative ventures. A musician and writer, I have been an avid photographer since my freshman year in high school. My college studies led me to Boston ...

4

Article: Album Review

Ravi Coltrane: Spirit Fiction

Read "Spirit Fiction" reviewed by Greg Simmons

by Greg Simmons

It's easy to imagine the double-takes that must have occurred when introductions were being made around New York in the early 1990s. “What'd you say your last name is, son?" Let's face it, if you're walking around with the name of a God, your last name is Coltrane and your first name is not John, and ...

7

Article: Album Review

Avishai Cohen: Duende

Read "Duende" reviewed by Bruce Lindsay

by Bruce Lindsay

Avishai Cohen is a distinctive player: his raw energy, deft and fluid fretting style and tough, forceful right hand combine in one of the most readily recognizable double bass sounds in contemporary music. He's brought this sound to collaborations with many leading musicians including pianists Chick Corea and Brad Mehldau, and drummer Mark Guiliana, and has ...


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