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Charles Lloyd & the Marvels + Lucinda Williams: Vanished Gardens
by Luca Muchetti
Un incanto di album. La chitarra tesa, dai richiami folk e sognante è quella inconfondibile del maestro Bill Frisell, il sassofono è quello lirico di Charles Lloyd, il musicista che dal quartetto anni Sessanta con Keith Jarrett passò ai Celebration al fianco dei Beach Boys per poi tornare al jazz negli anni Ottanta e Novanta dopo ...
SFJAZZ: Decades After, Five Years In
by Arthur R George
Five years after the San Francisco, California organization SFJAZZ created its own building, the SFJAZZ Center, it has proved a raving, even rampaging, success, unrelenting in programming, sales, education, and music production. Its number of concerts has doubled from 248 to more than 500. Its membership has increased by almost 200% to more than 14,000. It ...
Sidney Hauser: Justice and Jubilation
by Paul Rauch
The hiring of young saxophonist Sidney Hauser, to fill the second alto saxophone chair with the prestigious Seattle Repertory Jazz Orchestra may seem like a musical sidenote to the history of this 17 piece ensemble that was formed in 1995. But considering the marginalization of women instrumentalists in jazz over the course of the genre's history, ...
Paul Simon To Release New Album – In The Blue Light – On September 7 Coinciding With Final Leg Of Homeward Bound – The Farewell Tour
“This album consists of songs that I thought were almost right, or were odd enough to be overlooked the first time around. Re-doing arrangements, harmonic structures, and lyrics that didn’t make their meaning clear, gave me time to clarify in my own head what I wanted to say, or realize what I was thinking and make ...
Dead Composers Club: The Chopin Project
by Jerome Wilson
Saxophonist Noah Preminger has a reputation for exploring various genres outside jazz, like protest music and old-time delta blues. He has now formed a group called Dead Composers Club, with drummer Rob Garcia, to perform the works of various composers who are no longer with us. With Preminger's track record that could mean anybody from Duke ...
Charles Lloyd &The Marvels + Lucinda Williams: Vanished Gardens
by Mark Sullivan
At age 80 legendary saxophonist/composer Charles Lloyd shows no signs of slowing down. In addition to his New Quartet--most recently documented on Passin' Thru (Blue Note Records, 2017)--he has collaborated with the Greek singer Maria Farantouri on Athens Concert (ECM, 2011); played duets with Quartet pianist Jason Moran on Hagar's Song (ECM, 2013); and produced a ...
Michael Leonhart: The Painted Lady Suite
by Angelo Leonardi
A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.
Bill Frisell: Music IS
by Ian Patterson
Widely touted as Bill Frisell's second solo recording, and his first since the darkly introspective Ghost Town (Nonesuch, 2000), Music IS is, in fact, the guitarist's third, with the oddly overlooked Silent Comedy seemingly having slipped by most folk. That outing, on John Zorn's Tzadik label, was unique in Frisell's discography for being freely improvised, whereas ...
Charles Lloyd: Vanished Gardens
by Mike Jurkovic
Far be it from me to cast a shadow on Vanished Gardens, Charles Lloyd's 80th birthday release. With a career spanning my point of conception to now, as I try to make sense of it all, is my two cents really necessary? So Defiant" starts out as an extended shadowy and supple Lloyd solo as the ...
Dan Wilensky: Good Music
by Dan McClenaghan
There are only two kinds of music. Good Music and the other kind." So said Duke Ellington, and probably a whole bunch of other people. Good Music is saxophonist Dan Wilensky's examination of music for music's sake, his unpretentious serving the music" recording. Seven of the eleven tunes are chordless trio affairs, bringing--as a ...




