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Unscientific Italians: Play The Music Of Bill Frisell Vol. 1
by Ian Patterson
Few would argue against Bill Frisell's status as one of the most singular and influential guitarists/composers since around 1980. And yet, the Baltimore-born musician remains something of an enigma: easy to admire but a tad more difficult to pin down. Instantly recognizable from just a handful of notes, Frisell is, at the same time, a musical ...
Julian Lage: Squint
by Mario Calvitti
Dopo aver scritturato negli scorsi anni due chitarristi di indubbio valore come Nels Cline e Bill Frisell, la Blue Note mette a segno un nuovo colpo assicurandosi i servigi di un altro virtuoso della sei corde, l'ex enfant prodige Julian Lage (che in realtà era già comparso in un titolo della label al fianco proprio di ...
L'autorevole inventiva di Salvatore Maiore
by Angelo Leonardi
Contrabbassista, violoncellista e compositore tra i più attivi in Italia, Salvatore Maiore ha evidenziato -nelle molte collaborazioni e nei progetti personali-una cifra espressiva particolarmente ricercata, dove il ruolo dei suoi strumenti assume un aspetto propositivo, in una chiara esaltazione delle forme melodiche e timbriche. Di recente ha pubblicato un progetto sulle musiche di Charles Mingus interpretate ...
Harold Danko, Count Basie & James Brandon Lewis
by Joe Dimino
From the young and talented \ we begin the 704th Episode of Neon Jazz with a track off James Brandon Lewis's Live at Willisau done some years back, but released in 2020. We also look into some impressive singers & performers releasing new music including Shelly Rudolph and Emi Makabe. We also include some big band ...
Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records
by Friedrich Kunzmann
A sound poet of sorts, Swiss tenor saxophonist Christoph Irniger has gained quite a reputation for his lyrical tone and creative penmanship, more often than not responsible for the majority of the memorable repertoire he records and performs. The poetic nature of his music is owed not only to the artists that have influenced him over ...
Gerald Cleaver Breaking New Ground
by Bob Osborne
On this show we feature some new releases including Gerald Cleaver's fascinating marriage of electronica and jazz which celebrates musicians who have influenced himthere is also music from some of those he honours. Plus, the fulsome sound of the The Winnipeg Jazz Orchestra and more from the excellent Tony Malaby Turnpike Diaries series. This is accompanied ...
Joel Harrison and Anthony Pirog on AGS Recordings
by Mark Sullivan
After more than a decade of advocating new and creative approaches to the guitar, the New York-based Alternative Guitar Summit is branching out with a guitar-centric record label called AGS Recordings. Its pair of inaugural albums come from the label co-founders Joel Harrison (also the founder and director of the Summit) and Anthony Pirog (a frequent ...
Mario Pavone, Unscientific Italians, Bill Frisell, Paul Jarret & New Releases
by Ludovico Granvassu
This week we pay tribute to the late Mario Pavone, with an epic live set in which his majestic bass sound propelled the Thomas Chapin Trio into the stratosphere at the 1995 Newport Jazz Festival. The rest of the playlist revolves around modern jazz guitar, with two different ways to pay tribute to Bill Frisell, by ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Dan McCarthy: A Place Where We Once Lived
by Dan Bilawsky
By February of 2019, Dan McCarthy had reached the end of his time in New York. The movers had come and packed everything up, and my wife and son were already in Toronto at my parents' house. I was at our apartment in Crown Heights and I only had a few things, including my vibes," he ...


