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20

Article: Extended Analysis

Cuong Vu Trio Meets Pat Metheny

Read "Cuong Vu Trio Meets Pat Metheny" reviewed by Dave Wayne


A good chunk of the jazz-consuming public first became aware of Cuong Vu's virtuoso trumpet playing via his work with the Pat Metheny Group during the 2000s. For those of us already familiar with Vu's work, the move seemed a bit out-of-character, as the young trumpeter was a prominent player in the hyper-adventurous downtown NYC scene ...

16

Article: Album Review

Ron Stabinsky: Free for One

Read "Free for One" reviewed by Mark Sullivan


Pianist Ron Stabinsky has been a stylistic chameleon with Mostly Other People Do The Killing. He provided a note-perfect recreation of legendary pianist Bill Evans on Blue (Hot Cup, 2014), and eclectic solos on Mauch Chunk (Hot Cup, 2015)--performances peppered with clever musical quotations. For his debut recording he goes solo with a completely improvised set. ...

11

Article: Album Review

Tomasz Dabrowski: S-O-L-O: 30th Birthday/30 Concerts/30 Cities

Read "S-O-L-O: 30th Birthday/30 Concerts/30 Cities" reviewed by Jakob Baekgaard


Playing solo is a challenge that takes a lot of discipline. Whereas jazz often relies on the exchange of ideas in a group, there is only one person to carry out what pianist Bill Evans called his “conversations with himself." The consequence is that a soliloquy has the risk of going stale, but it can also ...

Article: Album Review

Dave Ballou: Solo Trumpet

Read "Solo Trumpet" reviewed by Giuseppe Segala


Dave Ballou si inserisce in modo del tutto personale in quel filone di trombettisti che indaga il proprio strumento in senso lato, ne trae sonorità inedite attraverso lo studio di articolazioni e procedure peculiari, ne cerca un ampliamento del vocabolario e delle espressività. Un filone che, in senso cronologico, ha origine con Bill Dixon, passa per ...

5

Article: Album Review

Josh Berman Trio: A Dance And A Hop

Read "A Dance And A Hop" reviewed by Mark Corroto


There is a permanent exhibit at the Art Institute of Chicago of 68 miniature rooms. These dollhouses for adults recreate American, French, and English rooms from last century and three centuries ago at a scale of 1 inch to a foot. Visitors lean in to marvel at the amazing detail. Drapery, carpets, and tea cups are ...

11

Article: Album Review

Leap of Faith/Thomas Heberer: Solution Concepts

Read "Solution Concepts" reviewed by Karl Ackermann


The twenty year history of Leap of Faith includes an eleven year hiatus that is noteworthy more for the cooperative's ability to seamlessly pick up the pieces than for an uber-extended break. Cellist Glynis Lomon--a one-time student of Bill Dixon--was working the Boston circuit with multi-reedist PEK in the 1990s. The two honed their far reaching ...

13

Article: Album Review

Mario Pavone: Blue Dialect

Read "Blue Dialect" reviewed by Mark Corroto


Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...

5

Article: Album Review

Nate Wooley: Battle Pieces

Read "Battle Pieces" reviewed by Mark Corroto


Someday trumpeter Nate Wooley is going to sell-out, abandon his principles, and make a smooth jazz record. He will give in to the pull of commercial success and create a disc of elevator music which can be played, but taken no heed of. I jest, because everything he creates necessitates the ear and mind's ...

Article: Album Review

Branford Marsalis: In My Solitude - Live at Grace Cathedral

Read "In My Solitude - Live at Grace Cathedral" reviewed by Angelo Leonardi


Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...

1

Article: Album Review

Mario Pavone: Street Songs

Read "Street Songs" reviewed by Neri Pollastri


Mario Pavone ha un posto centrale nella musica creativa statunitense, avendo suonato con alcuni dei più importanti innovatori degli ultimi cinquant'anni--come Anthony Braxton, Wadada Leo Smith e Marty Ehrlich--e avendo avuto sodalizi stabili prima con Paul Bley, poi con Bill Dixon e infine con il compianto Thomas Chapin. Dopo la morte di quest'ultimo, con il quale ...


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