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Cuong Vu Trio Meets Pat Metheny
by Dave Wayne
A good chunk of the jazz-consuming public first became aware of Cuong Vu's virtuoso trumpet playing via his work with the Pat Metheny Group during the 2000s. For those of us already familiar with Vu's work, the move seemed a bit out-of-character, as the young trumpeter was a prominent player in the hyper-adventurous downtown NYC scene ...
Ron Stabinsky: Free for One
by Mark Sullivan
Pianist Ron Stabinsky has been a stylistic chameleon with Mostly Other People Do The Killing. He provided a note-perfect recreation of legendary pianist Bill Evans on Blue (Hot Cup, 2014), and eclectic solos on Mauch Chunk (Hot Cup, 2015)--performances peppered with clever musical quotations. For his debut recording he goes solo with a completely improvised set. ...
Tomasz Dabrowski: S-O-L-O: 30th Birthday/30 Concerts/30 Cities
by Jakob Baekgaard
Playing solo is a challenge that takes a lot of discipline. Whereas jazz often relies on the exchange of ideas in a group, there is only one person to carry out what pianist Bill Evans called his conversations with himself." The consequence is that a soliloquy has the risk of going stale, but it can also ...
Dave Ballou: Solo Trumpet
by Giuseppe Segala
Dave Ballou si inserisce in modo del tutto personale in quel filone di trombettisti che indaga il proprio strumento in senso lato, ne trae sonorità inedite attraverso lo studio di articolazioni e procedure peculiari, ne cerca un ampliamento del vocabolario e delle espressività. Un filone che, in senso cronologico, ha origine con Bill Dixon, passa per ...
Josh Berman Trio: A Dance And A Hop
by Mark Corroto
There is a permanent exhibit at the Art Institute of Chicago of 68 miniature rooms. These dollhouses for adults recreate American, French, and English rooms from last century and three centuries ago at a scale of 1 inch to a foot. Visitors lean in to marvel at the amazing detail. Drapery, carpets, and tea cups are ...
Leap of Faith/Thomas Heberer: Solution Concepts
by Karl Ackermann
The twenty year history of Leap of Faith includes an eleven year hiatus that is noteworthy more for the cooperative's ability to seamlessly pick up the pieces than for an uber-extended break. Cellist Glynis Lomon--a one-time student of Bill Dixon--was working the Boston circuit with multi-reedist PEK in the 1990s. The two honed their far reaching ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
Nate Wooley: Battle Pieces
by Mark Corroto
Someday trumpeter Nate Wooley is going to sell-out, abandon his principles, and make a smooth jazz record. He will give in to the pull of commercial success and create a disc of elevator music which can be played, but taken no heed of. I jest, because everything he creates necessitates the ear and mind's ...
Branford Marsalis: In My Solitude - Live at Grace Cathedral
by Angelo Leonardi
Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...
Mario Pavone: Street Songs
by Neri Pollastri
Mario Pavone ha un posto centrale nella musica creativa statunitense, avendo suonato con alcuni dei più importanti innovatori degli ultimi cinquant'anni--come Anthony Braxton, Wadada Leo Smith e Marty Ehrlich--e avendo avuto sodalizi stabili prima con Paul Bley, poi con Bill Dixon e infine con il compianto Thomas Chapin. Dopo la morte di quest'ultimo, con il quale ...



