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13

Article: Album Review

JC Sanford: Imminent Standards Trio Vol. 1

Read "Imminent Standards Trio Vol. 1" reviewed by Jack Bowers


Trombone-led trios are few and far between, but Minnesota-based JC Sanford, a protégé of the late great Bob Brookmeyer, gives it a go with bassist Jeff Bailey and drummer Phil Hey on Imminent Standards Trio Vol. 1, whose title does not derive from imminent, as in “soon-to-be," but as in “Imminent Brewing," the trio's monthly performing ...

7

Article: Album Review

Roy Hargrove: In Harmony

Read "In Harmony" reviewed by Thomas Fletcher


Roy Hargrove is a trumpeter often affiliated with styles of music beyond jazz including hip-hop and soul. In addition, Mulgrew Miller is character that has always proven his versatile piano playing. However, this album is a melting pot of well-loved standards and compositions written by an array of influences. In Harmony presents previously unreleased live recordings ...

4

Article: Live Review

Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui at Youth Square

Read "Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui at Youth Square" reviewed by Rob Garratt


Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui Y Theatre, Youth Square Jazz World Live Series: Our Jazz Pianists Chai Wan, Hong Kong July 4, 2021 There was a proud sense of ownership evident in dubbing this event Our Jazz Pianists. Hong Kong's Jazz World ...

15

Article: Album Review

Joel Frahm: The Bright Side

Read "The Bright Side" reviewed by Dan McClenaghan


Chordless trio recordings featuring saxophone, bass and drums, no piano or guitar in the building, always draw comparisons to 1957 when a pair of the groundbreakers of the genre were recorded by saxophonist Sonny Rollins with A Night At The Village Vanguard (Blue Note Records, 1958) and Way Out West (Contemporary, 1957). Saxophonist Joel Frahm obviously ...

24

Article: History of Jazz

Clifford Brown’s Trumpet and One Summer in Atlantic City

Read "Clifford Brown’s Trumpet and One Summer in Atlantic City" reviewed by Arthur R George


Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...

16

Article: Album Review

Carlos Vega: Art of the Messenger

Read "Art of the Messenger" reviewed by Jack Bowers


In case you didn't quite catch the “message" subtly embedded in the title of Chicago-based tenor saxophonist Carlos Vega's new recording, Art of the Messenger, here is a brief reminder that it was drummer Art Blakey who formed the Jazz Messengers in the mid-1950s and led the celebrated hard-bop ensemble until his death in 1990. The ...

8

Article: Interview

Adam Kahan: Capturing the Essence of Jazz in a Film

Read "Adam Kahan: Capturing the Essence of Jazz in a Film" reviewed by Victor L. Schermer


Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...

9

Article: Album Review

Roberto Pianca Sub Rosa: Mono No Aware

Read "Mono No Aware" reviewed by Friedrich Kunzmann


The Roberto Pianca-led ensemble Sub Rosa's second release is a concentrated exercise in inter-communicative restraint, subtlety and woven odd meters that provokes the mind while consoling the soul. It's a cool affair that profits from the individual talents' accurate performances and inquisitive spirits as much as the leader's proficiently crafted compositions. Where the predecessor, self-titled Sub ...

4

Article: Album Review

Lorne Lofsky: This Song Is New

Read "This Song Is New" reviewed by Friedrich Kunzmann


The liner notes to This Song is New explain how the term “old school" suits guitarist Lorne Lofsky just fine. Not in its pejorative sense, but rather in the spirit of a master of an old art, now considered to be quaint. It is indeed a fitting description for the compositions and performances that constitute the ...

13

Article: Album Review

Jeremy Monteiro, Jay Anderson, Lewis Nash: Live At No Black Tie

Read "Live At No Black Tie" reviewed by Ian Patterson


Forty-five albums in as many years represents remarkable consistency from pianist Jeremy Monteiro—Singapore's King of Swing. It is worth recounting that Monteiro has played with the likes of Charlie Haden, Benny Golson, Toots Thielemans, Cassandra Wilson, both Michael Brecker and Randy Brecker, James Moody, Eldee Young and, for over thirty years, with Ernie Watts. Oh yes, ...


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