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About Barney Wilen
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Barney Wilen
Born:
Barney Wilen made a strong impression on the Paris scene in the mid 1950s. Wilen was a self taught player and became one of Europe's best and more modern saxophonists. Bernard Jean Wilen, AKA Barney was born March 4, 1937, in Nice to a French mother and an American father. He studied the alto and, at 16, moved to Paris where he played with Henry Renaud, Bobby Jaspar and Jimmy Gourley He grew up mostly on the French Riviera; the family left during World War II but returned upon its conclusion. According to Wilen himself, he was convinced to become a musician by his mother's friend, the poet Blaise Cendrars
Ascenseur pour l'Échafaud
By Miles Davis
Label: Decca Records France
Released: 2026
Track listing: CD1 Générique; L’Assassinat de Carala; Sur l’autoroute; Julien dans l’ascenseur; Florence sur les Champs-Elysées;
Dîner au motel; Evasion de Julien; Visite du vigile; Au Bar du Petit Bac; Chez le photographe du motel;
CD2 Nuit sur les Champs-Elysées; Nuit sur les Champs-Elysées – take 3; Nuit sur les Champs-Elysées – take 3
(Générique); Nuit sur les Champs-Elysées – take 4; (Florence sur les Champs-Elysées); Assassinat – take 1 (Visite
du vigile); Assassinat – take 2 (Julien dans l’ascenseur); Assassinat – take 3 (L’assassinat de Carala); Motel (Dîner au
motel); Final – take 1; Final – take 2; Final – take 3; (Chez le photographe du motel); L’Interrogatoire de Julien;
Ascenseur (Evasion de Julien); Petit Bac – take 1; Petit Bac – take 2 (Au bar du Petit Bac); Voiture – take 1; Voiture –
take 2 (Sur l’autoroute);
Miles Davis: Ascenseur pour l'Échafaud
by Jack Kenny
A legend has grown up around the music Miles Davis created for Louis Malle's debut film Lift to the Scaffold (Ascenseur pour l'échafaud). The story goes that Davis arrived at the Paris studio having never seen the film. He watched the rushes once, then improvised as the footage rolled with his European quintet--René Urtreger on piano, ...
Miles Davis Quintet: In Concert At The Olympia, Paris 1957
by Ian Patterson
Another live Miles Davis recording. Well, once the studio outtakes have dried up, this is the only seam left to mine. Happily, with advances in sound technology, old radio broadcasts are increasingly being dusted down and treated to a little digital TLC. Since 1983, Fresh Sounds Records has been a leading light in reissues and archival ...
In Concert At The Olympia, Paris 1957
By Miles Davis
Label: Fresh Sound Records
Released: 2023
Track listing: Solar; Four; What's New; No Moe; Lady Bird; Tune Up; I'll Remember April; Bags' Groove; 'Round Midnight; Now's
The Time; Walkin'; The Theme.
Zodiac
By Barney Wilen
Label: We Are Busy Bodies
Released: 2022
Track listing: Poissons; Verseau; Capricorne; Sagittaire; Scorpion; Balance; Vierge; Lion; Cancer; Geìmeaux; Taureu; Beìlier.
A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla
by Karl Ackermann
Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is ...
Barney Wilen: Zodiac
by Chris May
Tenor saxophonist Barney Wilen's Zodiac is the soundtrack for a mid-1960s film that never got off the storyboard. The backstory... Like other French jazzmen who came of age in the second half of the 1950s, Wilen benefited from the penchant nouvelle vague film directors had for jazz soundtracks. Aged twenty years, Wilen cut his filmic teeth ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...



