Results for "Azar Lawrence"
Azar Lawrence
Born:
Azar Lawrence led a very musical childhood and began playing drums at the age of five and moved onto violin and piano under the direction of his mother Ima Lawrence. Ima, a gifted musician and teacher from whom Azar received his acute flair for all things music has shaped many successful musicians. Azar began playing with the USC JR Orchestra at the age of five. He played violin until the age of 8. He performed vocals accompanied by his mother during elementary school where she taught sixth grade and music At age eleven he began hearing a different musical voice. He was an accomplished pianist, violinist and vocalist in his own right at the time. He thought it was time to learn viola
Azar Lawrence Has Paid His Dues...Two times
by Chuck Koton
Tenor and soprano saxophonist Azar Lawrence has been one of the most dynamic and spiritually-charged reed players of the post-John Coltrane generation. Lawrence forged his sound in the fires of the Elvin Jones and McCoy Tyner bands in the 1970s and, for nearly five decades, he has performed and recorded with the best musicians in the ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
A tribute to Eddie Gale plus a mix of old and new releases
by Bob Osborne
On this show a tribute to trumpeter, Sun Ra alum, and musical educator Eddie Gale who recently passed away. Also featured, the second album in the Catalytic Artist Album fundraising series from the Erotic Winds trio Joe McPhee with Joe Giardullo and John Howard. As well as some other new releases and archive cuts there is ...
Summer Solstice
by C. Andrew Hovan
Founded in 1949 by Bob Weinstock, the Prestige label was home to some of the best hard bop, swing, and blues music of the '50s and '60s. The diversity of the catalog through subsidiary labels such as Swingville and Bluesville was nothing short of extraordinary. Be it spoken word albums, Southern blues, or the folk strains ...
Steve Williamson & Guildhall Jazz Orchestra: Celebrating Coltrane at Milton Court
by Chris May
Steve Williamson / Guildhall Jazz Orchestra / Scott Stroman Milton Court Concert Hall Celebrating Coltrane London July 10, 2019 The word “legendary" is bandied around so indiscriminately these days that it has all but lost its meaning. London saxophonist Steve Williamson is among a tiny number ...
Dr. Mark Lomax, II: 400: An Afrikan Epic
by Karl Ackermann
The origins of the continent's name are not clear, but in the language of most of its inhabitants, the spelling is Afrika. The colonizers from Portugal, Britain and France adulterated the spelling for uniformity to their own phonics beginning in the fifteenth century, as they launched the cultural marginalizing of tens of millions. Dr. Mark Lomax ...
Elementals
Label: HighNote Records
Released: 2018
Track listing: La Bossa; Eye Of The Needle; Elementals; Brazilian Girls; Solar Winds; Koko; African Chant; Sing To The World; It’s Easy To Remember; Karma Sutra.
New Sounds - Walter Smith III, John Escreet and Maisha
by Bob Osborne
Demonstrating the wide variety of music in the jazz world recent releases from Walter Smith, John Escreet and Maisha are featured on this show. With other material, old and new, in between, there is mixed bag of styles, and, sounds on display. Playlist Walter Smith III “Ask Me Now" from Twio (Whirlwind) 00:00 ...
Hanna Paulsberg Concept + Magnus Broo: Daughter Of The Sun
by Gareth Thompson
Fourteen centuries before Cleopatra, queen Hatshepsut became one of the few women to rule Egypt. Artworks at the time portrayed her with masculine muscles and a Pharaonic beard, but these icons were smashed to smithereens in Hatshepsut's burial chamber. Clearly she upset the male hierarchy back then. Three and a half thousand years later, this fourth ...
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