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Article: Take Five With...

Take Five With Nuevo Tango Ensamble

Read "Take Five With Nuevo Tango Ensamble" reviewed by AAJ Staff


Meet Nuevo Tango Ensamble:Bandoneonist Gianni Iorio, pianist Pasquale Stafano and bassist Pierluigi Balducci have pooled together the love they share for jazz and classical music and their devouring passion for tango and in particular for Astor Piazzolla's music, by setting up a by now well-experienced ensemble that performs all over Europe.Their particular ...

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Article: Extended Analysis

Orchestre National de Jazz: Piazzolla!

Read "Orchestre National de Jazz: Piazzolla!" reviewed by Jeff Dayton-Johnson


The Argentinian composer, bandoneón player and tango revolutionary Astor Piazzolla (1921-1992) was no stranger to jazz. As a music student in Paris in the mid-1950s, he was inspired by the joyous improvisation he witnessed in the effervescent Left Bank jazz scene. He would go on to collaborate with baritone saxophonist Gerry Mulligan (Summit/Reunion Cumbre, Erre, 1974) ...

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Article: Album Review

Luis Munoz: Luz

Read "Luz" reviewed by Hrayr Attarian


Luis Muňoz's Luz is an unabashedly romantic paean to Latin music in its various guises. There is, however, nothing syrupy in this enchanting seventh release for the Costa Rican composer and percussionist, replete with “jazzy" creative spontaneity. Muňoz's impressionistic compositions are carefully arranged around a central theme, allowing adequate space to spotlight individual ...

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Article: Extended Analysis

Tetsu Saitoh: Strings & The Moon

Read "Tetsu Saitoh: Strings & The Moon" reviewed by Eyal Hareuveni


Japanese double bass master Testsu Saitoh is relatively unknown outside Japan. Most of his discography was released by small Japanese labels, including his own, Travessia, and naturally most of his collaborations are with East Asian musicians. Though he played and recorded with Western musicians, including fellow double bass players, as on the double bass quartet tribute ...

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Article: Interview

Davey Payne: Ready To Play

Read "Davey Payne: Ready To Play" reviewed by Sammy Stein


Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record. Before he joined forces with Dury, who fronted The ...

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Article: Album Review

SM Quinteto: Stories, Tales and Songs

Read "Stories, Tales and Songs" reviewed by Dan Bilawsky


Bassist Sammy Morales may call Puerto Rico his home, but he embraces the entire Latin Diaspora in his music. Born in the Bronx but relocating to San Juan, Morales creates compelling modern jazz built on a pan-Latin platform, ably erasing the boundary lines between Puerto Rico, Argentina, Spain, Brazil and Cuba on this, his longtime-coming debut. ...

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Article: Extended Analysis

Astor Piazzolla and Manos Hadjidakis: L'Ultime Concert

Read "Astor Piazzolla and Manos Hadjidakis: L'Ultime Concert" reviewed by Chris May


Astor Piazzolla and Manos HadjidakisL'Ultime ConcertWarner Jazz2012Astor Piazzolla's international breakthrough albums, Tango: Zero Hour and The Rough Dancer And The Cyclical Night (Nonesuch, 1986 and 1991), were made with small groups, with which the bandoneonist and composer is still most commonly associated outside Argentina. But Piazzolla also wrote ...

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Article: Album Review

Jack Davies' Flea Circus: Jack Davies' Flea Circus

Read "Jack Davies' Flea Circus" reviewed by Bruce Lindsay


It's a pity that James Brown has already laid claim to the title of Hardest Working Man In Show Business, because Jack Davies surely fits the bill to a “T." The young London-based trumpeter and writer runs his own record label, V & V, and leads three ensembles. In April 2012, he released his first three ...

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Article: Album Review

Edmar Castaneda: Double Portion

Read "Double Portion" reviewed by Dan Bilawsky


There is probably a greater chance of winning the lottery and being struck by lightning than building a career as a successful, world-renowned jazz Colombian harpist. Fortunately, Edmar Castaneda was more interested in pursuing his vision than studying statistics and probability. The Colombian-born harp phenom, who arrived in the United States in 1994, didn't have the ...


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