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Assif Tsahar, Gerry Hemingway, Marc Dresser: Code Re(A)d
by Alberto Bazzurro
Ogni tanto fa piacere imbattersi in lavori che mostrino di raccogliere con la dovuta coerenza filologica (che non vuol dire riciclo mani e piedi) la lezione del free jazz storico. È quanto accade in questo bell'album, che riunisce una volta di più una coppia ritmica (chiamiamola così, per comodità) in sella ormai da una trentina d'anni ...
Grammy Nomination for Archie Shepp Attica Blues Orchestra “Live – I Hear The Sound” Best Large Jazz Ensemble Album
Archie Shepp - tenor & soprano saxophones, voice with Jimmy Owens (conductor), Amina Claudine Myers, Marion Rampal, Cécile McLorin Salvant, Tom McClung, Famoudou Don Moye, Reggie Washington, Pierre Durand, Stéphane Belmondo, Izidor Leitinger, Christophe Leloil, Olivier Miconi, Sébastien Llado, Simon Sieger, Romain Morello, Michaël Ballue, Raphaël Imbert, Olivier Chaussade, François Théberge, Virgile Lefebvre, Jean-Philippe Scali, Manon ...
Bill Dixon: An In-depth Look into the Accomplishments, Philosophies, and Convictions of the Man
by Frank Rubolino
This interview was originally published at One Final Note in October 2002. When one reflects on the innovators who were fundamental in propelling the second wave of the new music movement in the 1960s, Bill Dixon's name always appears near the top of the list. His accomplishments as a musician and educator are vast, ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Jazzfestival Saalfelden 2014
by Vincenzo Roggero
Saalfelden 28-31.08.2014 A bocce ferme il 35° Jazzfestival di Saalfelden presentava un programma meno appariscente rispetto a precedenti edizioni, con meno densità di nomi altisonanti e meno eventi imperdibili. Ma forse proprio per la mancanza di aspettative clamorose, grazie alla solida direzione artistica tra certezze e curiosità e per quelle alchimie speciali che regolano ...
Colin Webster/Mark Holub: Viscera
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by Sammy Stein
To be able to say you have heard something unique is rare these days. Of course, every musician's recordings are unique but occasionally there arrives an album which is truly 'stand alone' and Viscera (New Atlantic),the third album by saxophonist Colin Webster and drummer Mark Holub is one such album. The album consists of track after ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
Mircea Tiberian: The Natural Force of Music
by Adriana Carcu
Pianist Mircea Tiberian is an emblematic figure of Romanian jazz, with a prodigious musical and academic career. He plays an influential role in the jazz scene and as author of many theoretical studies and essays, fosters its development on the theoretical level as well. Along his 40 year career Tiberian has played with top ranking Romanian ...
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
