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Mark Dresser: Nourishments
by Dave Wayne
Well-established as one of the foremost virtuoso contrabassists on the face of the planet, Mark Dresser has turned his attention to a variety of other projects over the past few years. The former member of Anthony Braxton's classic" quartet with drummer Gerry Hemingway and pianist Marilyn Crispell, Dresser's best known recent work has been with drummer ...
Wadada Leo Smith: I'm A Dreamer
by John Sharpe
As dreamers go trumpeter Wadada Leo Smith lies at the more serious end of the spectrum. Not for him dreams that fade with the daylight, as evidenced by the realization of his epic Civil Rights inspired Ten Freedom Summers (Cuneiform, 2012). Smith actually composed the first piece of what developed into a 21 piece magnum opus ...
The New NEA Jazz Masters: Anthony Braxton
There has been disagreement for more than forty years about whether the saxophonist, composer and sometime pianist Anthony Braxton is a jazz musician. With many others, he long insisted that the music he wrote and played was not jazz, but in 1993 he told author Cole Gagne, ...even though I have been saying I’m not a ...
Pi Recordings: Dedicated to the Innovative
by Mike Oppenheim
In the pantheon of American music, jazz is especially noted for its rapid and drastic evolution. Considering that jazz evolved from big bands and swing, to bebop, to free jazz within thirty years, it is a history marked by distinct stylistic eras. For some time, the trajectory and potential development of jazz has been in question. ...
2013: The Year In Jazz
by Ken Franckling
The West Coast now has a jazz edifice of its own with strong roots, International Jazz Day grew in scope during year two, jazz made its mark on (and off) Broadway, and the number of musicians lost during the year was large and painful. Here's a look at significant happenings across the jazz world over the ...
Matthias Schubert: 9 Compositions for The Multiple Joy[ce] Ensemble
by Glenn Astarita
Featuring an international cast, Matthias Schubert conducts a program that snugly resides in the avant-garde space. Each track is outlined in the liners, citing connotations, inspirations and homages, where it's up to the listener to connect the dots via his or her interpretations. It's a hybrid offering engineered with asymmetrical parts of classical, jazz improvisation, John ...





