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About Anita O'Day
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Anita O'Day
Born:
Born Anita Belle Colton in Chicago, Illinois on October 18, 1919, O’Day got her start as a teen. She eventually changed her name to O’Day and in the late 1930’s began singing in a jazz club called the Off-Beat, a popular hangout for musicians like band leader and drummer Gene Krupa. In 1941 she joined Krupa’s band, and a few weeks later Krupa hired trumpeter Roy Eldridge. O’Day and Eldridge had great chemistry on stage and their duet Let Me Off Uptown became a million-dollar-seller, boosting the popularity of the Krupa band. Also that year, “Down Beat” magazine named O’Day “New Star of the Year” and, in 1942, she was selected as one of the top five big band singers.
Birthday Remembrances for Jack DeJohnette, Mulgrew Miller, and others
by David W. Daniels
In addition to the musicians named in the headline, we recognize the birthdays of Ben Sidran, Patti Austin, Oscar Peterson, and others. More classic jazz from Sonny Rollins, Gene Krupa wih Anita O'Day, and additional artists. Newly released music from Tommy Smith, Joe Alterman, David Sanchez, and more.Playlist Grachan Moncur III “Sonny's Back!" from ...
Cool Heat: Anita O'Day And Her Dangerous Jazz Life
by C. Michael Bailey
Cool Heat: Anita O'Day and Her Dangerous Jazz Life James Gavin 214 Pages ISBN: # 978 80050 309 0 Equinox 2026 The last words James Gavin writes of the jazz singer, Anita O'Day in Cool Heat: Anita O'Day and Her Dangerous Jazz Life are in thanking the Equinox publication staff ...
Duke Ellington, Benny Goodman, Les Elgart & Jonah Jones
by Joe Dimino
For our final broadcast of 2025, we crack open the vinyl vault and let the turntable speak. Episode 940 of Neon Jazz kicks off in style with The Jonah Jones Quartet, spinning a gem from the 1958 classic Swinging at the Cinema. From there, we take a deep, joyful stroll through jazz history--drawing from the timeless ...
Baku Jazz Festival 2025: Part 1
by Ian Patterson
Part 1 | Part 2 Baku Jazz Festival 2025 Various venues 20th Edition Baku, Azerbaijan October 24-31, 2025 For any jazz festival to clock up 20 years is a notable achievement. But in Azerbaijan, where jazz is often met with indifference, this landmark is of particular merit. ...
Ashley Maher, Thom Rotella, Anne Mette Iversen, Jerry Weldon, La Tanya Hall, Kate Wyatt & More
by Mary Foster Conklin
This broadcast includes new releases from Ashley Maher, Thom Rotella, Anne Mette Iversen, Jerry Weldon, LaTanya Hall and Kate Wyatt, with birthday shoutouts to Anita O'Day, Nellie Lutcher (Hurry On Down), Victoria Spivey, Esperanza Spalding, Bobby Troup, Amy London, Barbara Fasano and Laura Nyro, among others. Happy listening and please support the artists you hear--see them ...
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life
by Katchie Cartwright
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life John Gennari 264 Pages ISBN: #978-1-68458-285-3 Brandeis University Press 2025 Award-winning author, University of Vermont professor and Berkshire County native John Gennari encapsulates his fascinating history of The Jazz ...
Hal Galper: Adventures In The Zone
by Paul Rauch
This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...
Sarah Vaughan, G. Thomas Allen, Cecile McLorin Salvant, Billy Eckstine and More!
by Jua Howard
Greetings Music Family! It's time for another episode of the “First Instrument Jazz Show!" I've got new music from The DIVA Jazz Orchestra with Ann Hampton Callaway, Nnenna Freelon, Benny Benack III, Emma Smith and Kieran Brown, and more timeless music from Sarah Vaughan, Billy Eckstine, Cecile McLorin Salvant, G. Thomas Allen, Kate McGarry, Take 6 ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
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