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Ron Miles: Rainbow Sign
by Paul Rauch
Denver-based cornetist Ron Miles seemed to turn an important creative corner with the release of his last album, I Am a Man (Yellowbird, 2017). With a stellar band in tow, he seemed to have gathered the elements to produce something very original. This was not an easy task, considering the ardent individuality represented by the session's ...
Ivo Perelman Trio: Garden Of Jewels
by Mark Corroto
The subtitle of the Ivo Perelman Trio's Garden Of Jewels should be The Pandemic Session. Recorded on June 17, 2020 in the midst of a pandemic when clubs and restaurants were shuttered and “six feet apart" was the clarion call of the moment, the music is a chronicle of the times. At least, that is the ...
Frank Sinatra: Sing and Dance with Frank Sinatra
by Nicholas F. Mondello
Sing and Dance with Frank Sinatra is without question a recording achievement of importance and historical magnitude. Producers Charles L. Granata and Andreas Meyer have delivered an experience that sources and reconstitutes important Sinatra mid-20th Century material. It will fascinate Sinatraphiles and enlighten those interested in “The Voice's" artistic development from crooner to swing icon.
Gratkowski, Nabatov, Mahnig: Dance Hall Stories
by Angelo Leonardi
Il titolo e la foto di copertina sono allusivi e non vanno presi alla lettera. Il pianista Simon Nabatov e il sassofonista Frank Gratkowski non hanno deciso di abbandonare la libera improvvisazione per un omaggio al repertorio da ballo ma includono nella collaborazione il giovane batterista Dominik Mahnig, che si aggiunge in metà dei brani del ...
Alonzo Demetrius: Live From The Prison Nation
by Mike Jurkovic
Drummer Ralph Peterson's righteous mission is the continuum of late mentor Art Blakey with the all cylinders burn of the Messengers Legacy performances and twenty-five recordings, including 2020's charismatic Onward & Upward (Onyx Productions). He chooses trumpeter Alonzo Demetrius as his first label mate to help bring the even larger legacy of the black movement forward. ...
Charlie Ballantine: Vonnegut
by Mark Sullivan
Indianapolis-based guitarist/composer Charlie Ballantine took his inspiration from iconic American novelist Kurt Vonnegut for this project, the most complex set of music in his already lengthy and varied recording career. He was joined by fellow Indianapolis musicians: saxophonist Rob Dixon, saxophonist/clarinetist Amanda Gardier, pianist Mina Keohane, bassist Jesse Wittman and drummer Cassius Goens. Dixon, Gardier and ...
Alberto Pinton Trio: All The Difference
by Mark Corroto
Multi-instrumentalist Alberto Pinton might have been born in Italy, but more and more his music bears the signature of his home in Sweden. Or maybe an explanation is that this trio effort in May of 2020 was recorded during the global pandemic, when touring musicians were granted time for contemplation and introspection. In any case, All ...
Becca Stevens, Elan Mehler: Pallet On Your Floor
by Angelo Leonardi
Tra le più sensibili e originali cantanti contemporanee, la trentacinquenne Becca Stevens sa esprimersi egregiamente in ogni contesto (come testimonia anche il recente Wonderbloom d'impronta synth-pop) ma quando affronta le ballad mette in luce le sue massime qualità espressive, risultando insuperabile. Non esiste vocalist della sua generazione capace di esprimersi con analoga purezza ...
Antoine Pierre URBEX ELECTRIC: Suspended (Live at Flagey)
by Mario Calvitti
Nonostante la scena musicale belga sia sempre eccezionalmente ricca e variegata, è ancora troppo colpevolmente trascurata al di fuori dei suoi confini nazionali, come dimostra il caso degli Aka Moon, uno straordinario trio che ha recentemente festeggiato i 25 anni di attività, ma è tuttora praticamente ignorato dai media stranieri. Speriamo non succeda lo stesso con ...
Mauro Sigura Quartet: Terra Vetro
by Chris May
Although the Italian oud player and composer Mauro Sigura bills his band as a world-jazz group which combines traditional Ottoman-Mediterranean music with modern European jazz, the band's sophomore album is not full-on, capped-up World Jazz in the manner of, say, fellow oudist Anouar Brahem's Blue Maqams (ECM, 2017). That album, made with double bassist Dave Holland, ...
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