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Dave Stryker: Baker's Circle
by Jack Bowers
On Baker's Circle, guitarist Dave Stryker revisits a format in which he is quite comfortable: an organ-driven rhythm ensemble whose emphasis is on hard-nosed contemporary swing. There is, however, a refreshing exclamation mark this time around in the person of able-bodied tenor saxophonist Walter Smith III, and one more fringe benefit (on three tracks): percussionist Mayra ...
Joy On Fire: Hymn
by Gareth Thompson
The industrial anarchists Throbbing Gristle stood by their notion that noise and frequency could change states of consciousness. Listening to saxophonist Anna Meadors of Joy On Fire, with her pitch-shifting and time-stretching, might back this idea up. Certainly the audience enters many realms of awareness on the band's album Hymn . Even the cover artwork, a ...
Shemekia Copeland: Uncivil War
by Paul Rauch
Blues vocalist Shemekia Copeland has firmly established herself as one of the most important modern blues artists. Though born in Harlem and raised in New Jersey, her sound has always clearly shouted Texas, reflecting her family ties to the music through her father, Texas bluesman Johnny Copeland. Her albums have called attention to her powerful instrument ...
Johnsen / Sahlander / Moen: Second Time's The Charm
by Friedrich Kunzmann
Bernt Moen's second trio strike with bassist Fredrik Sahlander and drummer Geir Age Johnsen is a balanced set of a few atmospheric Moen originals and well-known standards. Like on predecessor 1+1=3 (Losen Records, 2020), Second Time's The Charm sees the players interpret standards loosely, adding modern influences and physical interplay to popular melodies that sometimes venture ...
Yves Rousseau Septet: Fragments
by Claudio Bonomi
Yves Rousseau, contrabbassista e compositore francese, è uno dei quei personaggi talmente poliedrici ed eclettici che è davvero difficile circoscrivere all'interno di un genere o uno stile. Classe 1961, vanta una carriera densa di lavori e, soprattutto, di incontri che lo hanno portato sulla retta via di un jazz contemporaneo, melodico, ibrido e sempre ricco di ...
Reverso: The Melodic Line
by Alberto Bazzurro
Un trombonista americano (collaboratore, fra gli altri, di David Bowie, Maria Schneider e Wynton Marsalis), un pianista tedesco e un violoncellista francese: i primi due si dividono a titolo esclusivo la paternità dei brani (quattro il primo, cinque il secondo), però, singolarmente, tre titoli sono in francese. Un omaggio all'ospite (sì, perché all'epoca di questa incisione--aprile ...
Amanda Tosoff: Earth Voices
by Dan Bilawsky
Building off the lure of language planted in Amanda Tosoff's Juno-nominated Words (Empress Music Group, 2016), this sixth album from the Toronto-based composer and pianist waves poetic in wondrous fashion. Pairing different guest vocalists and collections of musicians with personalized takes on Parnassian beauty of varied sorts, Tosoff cements the bonds between earthly voices and heavenly ...
Futari (Satoko Fujii / Taiko Saito): Beyond
by Dan McClenaghan
Satoko Fujii has found a new sound. The prolific and always adventurous pianist-composer teams with vibraphonist Taiko Saito--tagging their duo Futari--for a beautifully surreal journey called Beyond. “Futari" means 'two people" in Japanese. The two people involved connected in the early 2000s, in Berlin, when Saito was a student at the Berlin University of ...
Tim Berne / Matt Mitchell: Spiders
by John Sharpe
In spite, or perhaps because, of the lull in work in 2020, alto saxophonist and composer Tim Berne maintained a busy release schedule. Spiders, his third set of duets with pianist Matt Mitchell, arrives hot on the heels of The Fantastic Mrs 10 (Intakt) and The Deceptive 4 Live (Intakt), both by his band Snakeoil which ...
Juozas Milašius / Tomas Kutavičius / Dalius Naujokaitis and Lithuanian Young Composers Orchestra: Live at Willisau, 1993
by Vitalijus Gailius
Juozas Milašius, Dalius Naujokaitis-Naujo and Tomas Kutavičius were the most provocative figures on the Lithuanian scene in the 1990s. Playing bebop or following the Ganelin Trio tradition was not the their thing back then (and it is not in 2021 either). They played passionately and intensely and beyond genre boundaries. Stories about destroyed pianos and audiences ...
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