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Soft Works: Abracadabra in Osaka
by Claudio Bonomi
«Nel 2000 mi venne questa pazza idea di aiutare il mio vecchio amico Elton Dean a organizzare una reunion dei leggendari Soft Machine...» Inizia così il racconto di Leonardo Pavkovic, patron della Moonjune Records, al giornalista Chris M. Slawecki di All About Jazz sulla genesi dei Soft Works, quartetto composto da Elton Dean, Allan ...
Emil Viklický & Pavel Hrubý: Between Us
by Ian Patterson
After four decades of small ensemble recordings, veteran Czech jazz pianist Emil Viklický is developing a taste for duo albums. Following the fine duo outings Together Again (ACT Music, 2014) with George Mraz, and Moravian Romance: Live at Jazzfest Brno 2018 (Venus, 2018) with Miroslav Vitous, Viklický partners with reed player Pavel Hrubý, here on bass ...
Irene Schweizer / Hamid Drake: Celebration
by Dan McClenaghan
Celebration is a walloping storm of free jazz, rolling in on a hard-hitting percussion mode. Pianist Irene Schweizer holds down the piano chair, Hamid Drake is behind the drum kit. The pair has played and recorded together often. The opener, “A Former Dialogue," introduces us to a drum thunder and a splattering of fat piano-crafted raindrops. ...
Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987
by John Sharpe
Thanks to its licensing deal with the Japanese Chap Chap label, the Lithuanian NoBusiness imprint continues its exposure of unexpected gems from the Japanese free scene of the 1980s and 1990s. While many feature solely native improvisers, others pair local performers with Western visitors. Live At Far Out, Atsugi 1987 falls into the ...
Jeremy Monteiro: Live at No Black Tie
by Pierre Giroux
Kuala Lumpur (capital of Malaysia) is not on the tip of everyone's tongue as a jazz audience or recording destination. However that might be under reconsideration with the release of Live At No Black Tie , a live trio session headed by Singapore pianist Jeremy Monteiro, accompanied by two American jazz notables, bassist Jay Anderson and ...
Lara Solnicki: The One And The Other
by Alberto Bazzurro
Questo è il terzo album, dopo Whose Shadow?, del 2014, e A Meadow in December del 2011, a nome della cantante canadese (di Toronto) Lara Solnicki, presenza tutto sommato piuttosto anomala nel variegato panorama delle jazz singers per svariati motivi, che cerchiamo di sintetizzare. Anzitutto lei canta e dice (si definisce cantante-compositrice-poetessa), ma non su un ...
Rubén Blades: Salswing!
by Angelo Leonardi
Se amate il jazz delle orchestre latine e avete adorato lo swingante incontro di Frank Sinatra con Count Basie non perdetevi quest'album appena pubblicato da Ruben Blades con l'orchestra di Roberto Delgado. Come indica il titolo è una fusione tra Salsa e Swing e si sviluppa in undici brani del songbook jazzistico (due di essi presenti ...
Phill Fest: Cafe Fon Fon
by Jack Bowers
While there is no sure cure for the blues, a large dose of Brazilian music often comes about as close to driving the dark clouds away as any remedy a physician is likely to prescribe. It is hard to listen to an album such as guitarist-composer Phill Fest's sunny Café Fon Fon without smiling and tapping ...
Tomeka Reid - Joe Morris: Combinations
by John Sharpe
One of the fascinations of a duet is how the alternating tension and balance between the two poles can create an overall mood which differs from either of the constituent parts. Abstraction particularly promotes that sort of ambiguity, and it is especially prevalent in the pairing of cellist Tomeka Reid and guitarist Joe Morris on Combinations, ...
Ivo Perelman: Special Edition Box: Procedural Language
by Mark Corroto
Ivo Perelman and Matthew Shipp: how many duo recordings have their been? Five? A dozen? More like sixteen, and that's not taking into account the double, triple, quadruple releases, nor Perelman/Shipp's recordings in trio, quartet, and quintet formats. The numbers boggle the mind, and truth be told, flatten the wallet. While you may ask why so ...
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