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Jazz: A Blessed Obsession
by Mark Corroto
Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...
Verneri Pohjola & Black Motor: Rubidium
by Eyal Hareuveni
Black Motor is Finland's leading trio of free jazz that began to gain a wider recognition outside Finland in recent years. Since its foundation around 2005, the central Finland, Tampere-based proletariat trio expanded its muscular, uncompromising post-Albert Ayler and Peter Brötzmann approach as it began to collaborate with fellow, innovative Finnish improvisers as saxophonist Juhani Aaltonen, ...
Frank Wright: Blues For Albert Ayler
by John Sharpe
Reedman Frank Wright's eponymous first album surfaced on ESP-Disk in 1965, so it is fitting that this historic live recording also appears on the newly-revived imprint, making good its mission of releasing unheard sessions by label stalwarts, alongside newer works. Though dedicated to his erstwhile employer, saxophonist Albert Ayler, Wright's tenor saxophone also hints at the ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...
Sean Conly / Alex Harding / Darius Jones / Chad Taylor: Grass Roots
by Mark F. Turner
From the start of the track “Hotttness" the organized chaos is at first unsettling, yet gives way to a tight hook in the exceptional debut Grass Roots by a newly formed collective who sound like they've been playing together for decades. The two lead voices consist of alto saxophonist wunderkind Darius Jones ( Man'ish Boy (A ...
Before We Say Goodbye To 2012
by Mark Corroto
In consumer culture, where we are all guilty of looking for the next new thing, the emphasis is always on new releases, and what the next, best, super-improved product will be. It seems that even before this week's movie opens, we are being told about next week's blockbuster. Before we turn our attention fully ...
Mostly Other People Do the Killing: Setting the Record Straight
by Troy Collins
Mostly Other People Do the Killing is frequently typecast as one of today's most humorously irreverent young jazz groups, based in no small part on their provocative name, which was inspired by a quote attributed to inventor Leon Theremin--a survivor of the Soviet gulag who exonerated Stalin because “mostly other people did the killing." Bassist and ...
Alan Wilkinson/John Edwards/Steve Noble: London, England, January 9, 2013
by John Sharpe
Alan Wilkinson/John Edwards/Steve NobleCafé OtoLondonJanuary 9, 2013It didn't look promising to begin with. In the dark days of January with the New Year festivities over and done, there's not a lot of enthusiasm for nocturnal adventure, so it was no surprise to see just a couple of people waiting outside before ...
The Charles Gayle Trio: Look Up
by John Sharpe
Fire-breathing saxophonist Charles Gayle has had to wait a long time for his ESP-disk debut. Allegedly, there was a 1974 session in the can, but the label folded in its earlier incarnation, before it saw the light of day. But now, a 1994 live date from Santa Monica has been issued on the revived imprint. Recorded ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
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