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ARTICLE: PROFILE

Keith Tippett: 100 Best Foots Forward

Read "Keith Tippett: 100 Best Foots Forward" reviewed by Duncan Heining

From the Albert Hall at twenty-two with a fifty-piece band to picking potatoes to make ends meet a decade later, Keith Tippett's life in music could sum up many a jazz career. After a grim '80s, things now look better for the composer, pianist and bandleader. “What I'm about to say is ridiculous but it was ...

ARTICLE: BOOK EXCERPTS

Mosaics: The Life and Works of Graham Collier

Read "Mosaics: The Life and Works of Graham Collier" reviewed by Duncan Heining

The following is an excerpt is from “Chapter 9: The Eighties or Graham Collier -The Wilderness Years" of Mosaics: The Life and Works of Graham Collier by Duncan Heining (Equinox Publishing, 2018). All Rights Reserved. The late Graham Collier was a bandleader, a composer and a jazz educator. As far as this latter ...

ARTICLE: INTERVIEW

Intervista a Roberto Bellatalla

Read "Intervista a Roberto Bellatalla" reviewed by Daniele Vogrig

Se i concetti di fraternità e universalità da sempre caratterizzano il jazz in tutte le sue forme, senza dubbio e a buon diritto Roberto Bellatalla ne può essere considerato uno dei massimi ambasciatori. Amsterdam, Londra, Johannesburg. Quaranta anni di storia (e di storie), poi il ritorno a casa. Ammesso e non concesso che ...

ARTICLE: MULTIPLE REVIEWS

Howard Riley: Reinventing the Jazz Piano Trio

Read "Howard Riley: Reinventing the Jazz Piano Trio" reviewed by Duncan Heining

Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...

ARTICLE: PROFILE

Howard Riley: Live with Repertoire

Read "Howard Riley: Live with Repertoire" reviewed by Duncan Heining

Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...

NEWS: RECORDING

A Very Special Christmas' Album Series Celebrates 25th Anniversary Benefitting Special Olympics

The A Very Special Christmas holiday music series, benefiting Special Olympics, will celebrate its 25th anniversary this holiday season with the release of two new albums of holiday music advancing the Special Olympics movement and bringing joy and peace to athletes and their families around the world: A Very Special Christmas 25th Anniversary, Bringing Joy to ...

ARTICLE: ALBUM REVIEW

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by Nic Jones

In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...

ARTICLE: ALBUM REVIEW

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by Troy Collins

Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...

ARTICLE: ALBUM REVIEW

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by John Kelman

1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...


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