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3

News: TV / Film

Robert Herridge: Jazz on TV

Robert Herridge: Jazz on TV

Up until 1955, modern jazz was largely a punchline. The music wasn't easy to understand by those who grew up listening to big bands and other forms of pop and dance music, and many post-war jazz musicians seemed silly in their cool extreme—people with names like Dizzy, Monk, Chubby, Hawk, Shorty and Bird who recorded for ...

1

News: Video / DVD

'A Gal in Calico': 1946-2011

'A Gal in Calico': 1946-2011

In December 1946, Warner Bros. released a mess of a film called The Time, the Place and the Girl—a post-war feel-good feature with a dopey storyline on which it hung as many musical numbers as possible. Everything about the film was forgettable—except for A Gal in Calico, a song by Leo Robin and Arthur Schwartz. In ...

Album

Live At The Olympia

Label: Jazz Village
Released: 2014
Track listing: CD1: Autumn Rain; Blue Moon; The Gypsy; Invitation; I Remember Italy; Laura; Morning Mist; This is the Life. CD2: Exatogi; Masara; Trouble in Mind; Brother Hold Your Light; Blue Moon (reprise); Poinciana.

15

Article: Catching Up With

Catching up with Pamela Hetherington

Read "Catching up with Pamela Hetherington" reviewed by Pamela Hetherington


Meet Pamela Hetherington: Philadelphia native, jazz tap dancer, choreographer, dance educator; director of the tap and music collective Take It Away Dance. Instrument(s): Tap shoes, cajon, piano Teachers and/or influences? I grew up dancing with the best tap teachers in Philadelphia, including Rita Rue, Leon Evans, Delphine Mantz, LaVaughn ...

20

Article: Album Review

Kendall Moore: Focus

Read "Focus" reviewed by Edward Blanco


Chicago native Kendall Moore is a trombonist and composer currently pursuing a Doctorate degree in Jazz Performance from the University of Miami and has been part of South Florida's vibrant jazz scene for some time. Forging a career that has enabled him to perform with such icons as Dave Brubeck, McCoy Tyner, Ahmad Jamal, Jimmy Heath ...

3

News: Recording

Vijay Iyer Trio - Break Stuff (ECM Records)

Vijay Iyer Trio - Break Stuff (ECM Records)

Break Stufff features Vijay Iyer's long-running and widely-acclaimed trio with bassist Stephan Crump and drummer Marcus Gilmore, a band in existence for eleven years now. “We keep learning from each other and from experiences and try to set challenges for ourselves so that growth is part of the equation." It's a group whose musical language is ...

8

Article: Live Review

Kenny Barron & Dave Holland at Queen Elizabeth Hall

Read "Kenny Barron & Dave Holland at  Queen Elizabeth Hall" reviewed by Ian Patterson


Kenny Barron & Dave Holland/The Jeremy Monteiro Trio Queen Elizabeth Hall EFG London Jazz Festival 21 November, 2014 The prospect of Kenny Barron and Dave Holland performing as a duo was a mouthwatering one. Both are well versed in the format. In 1971 Holland combined with Derek Bailey and then ...

5

Article: Album Review

Morten Schantz: Unicorn

Read "Unicorn" reviewed by Ian Patterson


Danish pianist/composer Morten Schantz is probably best known as one fifth of JazzKamikaze, the globe-trotting band he formed in 2005 with Marius Neset, Kristor Brødsgaard, Daniel Heløy Davidsen and Anton Eger. That may be about to change, as the solo album Unicorn marks a significant wind change in Schantz's trajectory. Inspired writing and scintillating collective playing ...

11

Article: Live Review

American Jazz Festiv’Halles at Sunside-Sunset

Read "American Jazz Festiv’Halles at Sunside-Sunset" reviewed by Patricia Myers


American Jazz Festiv'Halles at Sunside-Sunset Sunside-Sunset Jazz Club Paris, France July-August 2014 The 23rd annual American Jazz Festiv'Halles at Sunside-Sunset in Paris had another long and strong lineup of concerts during two summer months of 2014. Sunside opened in 1983 on the Right Bank's narrow pedestrian street, rue des Lombards, expanding ...

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Article: Extended Analysis

Hiromi: Alive

Read "Hiromi: Alive" reviewed by Jeff Winbush


If jazz has become a niche market in the music industry (and it is), a contributing factor for its slide into cultural irrelevance is a failure to promote and support new artists. No matter what sub-genre of jazz you personally love, across the board there is no sustained effort to develop a roster of first-tier talent ...


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