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By the very nature of the process of making the music, any tune can become a jazz tune. Some well-known standards, which I need not mention to further popularize them, are done so often that they are beyond tiresome. But jazz compositions stick with you for other reasons. The melody may be striking, or perhaps you’ve ...
Ehud Asherie: Shuffle Along
by Dan McClenaghan
Israeli-born pianist Ehud Asherie delves deep into a quintessentially American Music on Shuffle Along. The score for the 1921 Broadway musical--tunes that were crafted before the beginning of a true Popular" recording industry--was groundbreaking. Written by Eubie Blake and Noble Sissle, Shuffle Along, with an all-black cast, was the first Broadway production that treated African Americans ...
Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!
by Luca Canini
Piovono ristampe in casa Impulse!. Un diluvio benedetto a tinte arancionere che riporta sugli scaffali dei negozi classicissimi e rarità a prezzi stracciati. Non il massimo l'operazione dal punto di vista filologico: grafica discutibile, copertine originali incrociate grossolanamente, rimasterizzazione discreta ma non eccelsa, note riprodotte in miniatura e in alcuni casi praticamente illeggibili; ma il rapporto ...
Omer Klein: Fearless Friday
by Ian Patterson
From Israel to Boston and then to New York, Omer Klein has followed the path of so many of his compatriots--up to a point. His debut as outright leader, Introducing Omer Klein (Smalls Records, 2008), announced a unique voice, one that blended folkloric, classical and contemporary colors quite seamlessly. Three further recordings cemented Klein's reputation as ...
Lou Donaldson: Blues Walk – 1958
by Marc Davis
There's a tendency among some jazz purists to poo-poo Lou Donaldson. Not flashy enough, they say. Not groundbreaking. Too bluesy, too simple. Predictable. Derivative. A notch below the best Blue Note saxmen. A craftsman, not an artist. Aw phooey! I like Lou Donaldson and I don't mind anyone knowing. It has always ...
The Dan Trudell Trio: Dan Trudell Plays The Piano
by Dan Bilawsky
The decline of the joyously swinging piano trio has been greatly exaggerated. It may be an endangered species, but it's still out there, roaming the countryside, appearing when you least expect it, and making the occasional trip into a studio. Exhibit A is this fine recording from Dan Trudell, a Midwestern musical treasure who's renowned for ...
Jazz Musician of the Day: Ahmad Jamal
All About Jazz is celebrating Ahmad Jamal's birthday today! In 1951, Mr. Jamal first recorded \'Ahmad\'s Blues\' on Okeh Records. His arrangement of the folk tune \'Billy Boy\', and \'Poinciana\' (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included \'New Rhumba\', \'Excerpts From The ...
Francesca Han: Dream Episodes, Blue Suns, Icarus
by Ian Patterson
A new Francesca Han recording is something to get excited about. The pianist's spirited trio/quartet outing Illusion (Audioguy Records, 2012) and the bewitching solo effort Ascetic (Audioguy Records, 2012)one of the finest solo piano jazz albums of recent yearswere outstanding examples of her skills as a composer, bandleader and improviser. Now, in a relatively short space ...
The Pittsburgh Jazz Festival
by Nick Catalano
It is difficult to overestimate the importance of Pittsburgh in the annals of jazz history. Just a few of the legendary names--Ahmad Jamal, Errol Garner, Mary Lou Williams, Billy Eckstine, Billy Strayhorn, George Benson, Ray Brown, Stanley Turrentine--are sufficient to raise the proverbial jazz fan eyebrows. I actually performed there in the halcyon days of bebop ...
Brisbane International Jazz Festival 2015
by Ian Patterson
Brisbane International Jazz Festival Various locations Brisbane, Australia June 3-8, 2015 Celebrating its third edition, the Brisbane International Jazz Festival may be one of Australia's youngest jazz festivals but the state of Queensland is no stranger to jazz. The non-profit organisation Jazz Queensland has been curating concerts, developing audiences and working ...



