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A Conversation with Amiri Baraka
by Lazaro Vega
From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...
A Different Drummer, Part 2: Royal Hartigan
by Karl Ackermann
Drums of Life--Drums of DeathThe ruins of the Anasazi people stand undisturbed in the cliffs between the high mesas and the canyon floors of the southwest. Dating to 2500 B.C., the multi-story adobe pueblos and stone cities were the sites of the ancient indigenous peoples of North America. Archeologists have uncovered an assortment of percussion instruments ...
Straight Ahead: il canto di protesta di Abbey Lincoln dal 1957 al 1961
by Maurizio Zerbo
La lettura di un libro sull'Africa, l'intuizione del manager, e la frequentazione di artisti impegnati nella rivendicazione dei diritti civili determinarono il cambio di passo nello status artistico di Anna Maria Woolridge, tra il 1956 e il 1961. Cantante nei night club californiani con lo pseudonimo di Gaby Lee, era una artista di varietà quando decise ...
Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal “how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Rah! Rah!: Claire Daly's Tribute to Rahsaan Roland Kirk and Other New Releases
by Mary Foster Conklin
A bounty of new releases this week from saxophonist Claire Daly, harmonicist Hermine Deurloo, Thelonious Monk (newly discovered live performance), the Mike Melito Dino Losito Quartet, plus vocalists Simone Kopmajer, Sandra Marlowe and Sarah Moule, along with birthday shoutouts to Norma Winstone, Rebecca Kilgore, Lara Driscoll, Isabel Crespo, Leonard Cohen, John Coltrane and more. Thanks for ...
Ran Blake / Christine Correa: When Soft Rains Fall
by Jerome Wilson
Pianist Ran Blake and vocalist Christine Correa have recorded several duo albums together including two on the music of Abbey Lincoln. Here they turn to another iconic singer, Billie Holiday, concentrating on the contents of her final album, Lady In Satin (Columbia, 1958). Lady In Satin is known for its lush orchestral and choral ...
Fred, Bird, Carmen, Nat, Abbey, New Bu & More
by Marc Cohn
Oh, do we have a show for you. I was reading Will Friedwald's great book, The Great Jazz & Pop Vocal Albums, and discovered a Fred Astaire recording on Verve. We checked it out and spent a couple of very pleasant hours with Fred talking and singing in company of esteemed jazz artists. Our first segment ...
A Pride of Jazz Leos - Louis Armstrong, Abbey Lincoln, Dorothy Ashby & More
by Mary Foster Conklin
Lots of Jazz Leos to celebrate on today's broadcast. Included are new releases from Beth Duncan, Regina Carter, Ken Steele plus a special pandemic single from Lauren Lee, with birthday shoutouts to Abbey Lincoln, Louis Armstrong, KJ Denhert, Hendrik Meurkens, Kat Gang, Dorothy Ashby, Kat Edmonson, Roberta Piket, Terri Lyne Carrington and more. Thanks for listening ...
Another Time Another Place - Happy Birthday Pamela Baskin-Watson
by Mary Foster Conklin
The show begins with birthday greetings to pianist and composer Pamela Baskin-Watson and vocalist Kevin Mahogany, with new releases from drummer Jeff Hamilton, pianist Christian Sands, vocalists Paulette McWilliams, Brenda Nicole Moorer, Susie Meissner and flutist Ragan Whiteside, plus more birthday shoutouts to pianists Hank Jones, Josh Nelson, Shamie Royston and Diane Moser. Thanks for listening ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
