Home » Jazz Articles » Album Review » Thomas Johansson/Øyvind Storesund/Paal Nilssen-Love: Rev...
Thomas Johansson/Øyvind Storesund/Paal Nilssen-Love: Revolution Before Lunch
Let me, though, make the connection, the universal free jazz connect-the-dots, between Johansson's trumpet and the citizen of the world Joe McPhee. This new trio picks up where drummer Nilssen-Love's collaborations with McPhee left off. Their collected works Candy (PNL, 2015) is the touchstone for this recording, as is, to a lesser extent, the drummer's power trio, The Thing.
Johansson is a member of the Paal Nilssen-Love Large Unit, the Ornette Coleman inspired Cortex, and the free jazz quintet Friends & Neighbors. Bassist Øyvind Storesund splits his time between the alternative rock of Cloroform, Frode Gjerstad and the Circulasione Totale Orchestra. In the latter ensemble, you can often find the busy Nilssen-Love.
These three lengthy tracks present a deliberate flow of energy, as opposed to mayhem. "Close As Hail" gains momentum from the the trumpet/bass warm up with Nilssen-Love's goading brushwork. As the energy picks up, Storesund's bass solo maintains the bulwark time and they pause for an acute and concise drum solo that morphs the piece into a blues groove you might want to loiter in all day. "Pouch Of Skin" gets even quieter. Bass and drums lay down a clover field for Johansson's calisthenics. His command of the edges of the horn and a slurry of melting and growling notes is delivered as a soapbox sermon. "Incomprehensible Beats" walks the knife's edge, threatening to have all its wheels come off. But they never do.
Track Listing
Close As Hail; Pouch Of Skin; Incomprehensible Beats.
Personnel
Thomas Johansson
trumpetThomas Johansson: trumpet, flugelhorn; Øyvind Storesund: double bass; Paal Nilssen-Love: drums.
Album information
Title: Revolution Before Lunch | Year Released: 2016 | Record Label: Tammtz Records
About Thomas Johansson/Øyvind Storesund/Paal Nilssen-Love
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







