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Thomas Johansson
His main project is Cortex, which is a quartet consisting of Thomas, Kristoffer Alberts, Ola Høyer and Gard Nilssen. Cortex is a Norwegian band which plays enerergetic jazz of the finest brand. With over one hundred live perfomances and four highly acclaimed albums, they position themselves as one of the strongest additions to the Norwegian jazz scene. He is also a part of several distinctive bands and projects, including his own record label Tammtz Records which was established April 2016. Scroll down on "Projects" from the menu to check out the various projects.
Thomas currently lives in Skien, working as a freelance trumpet player and composer.
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Gard Nilssen's Supersonic Orchestra: Family
by Mark Corroto
Why can't all music be supersonic? That does not mean supersonic as in a speed exceeding that of sound, but sound that is sonically superlative. Drummer, composer, and bandleader Gard Nilssen's music is seemingly always sonically superb. His 17-piece Supersonic Orchestra was captured in 2022 at the Mondriaan Jazz Festival in Den Haag, Netherlands, for Family, his follow-up to If You Listen Carefully The Music Is Yours (Odin 2020). The Supersonic Orchestra is made up of seven saxophones ...
read moreRodrigo Amado Northern Liberties: We Are Electric
by John Sharpe
Portuguese saxophonist Rodrigo Amado hits the jackpot with the debut by his Northern Liberties quartet. He's found gifted collaborators in the Norwegian threesome of trumpeter Thomas Johansson, drummer Gard Nilssen and bassist Jon Rune Strøm. Amado's preferred domain is muscular free jazz. It's territory he's thoroughly explored with his Motion Trio, supplemented by guests like trumpeter Peter Evans and pianist Alexander von Schlippenbach, and with his This Is Our Language band with Joe McPhee. While the Scandinavian ...
read moreRodrigo Amado Northern Liberties: We Are Electric
by Mark Corroto
The predicament with modern albums is that an album is often more than just one album. With the advent of streaming music, and compact discs before it, music expands beyond the unit we traditionally designated as side one or side two of an LP. A perfect example of this concept is We Are Electric by the Portuguese-Norwegian collaboration Rodrigo Amado Northern Liberties. Three of the four tracks here could easily be considered a freestanding LP side and, if that were ...
read moreRodrigo Amado Northern Liberties: We Are Electric
by Troy Dostert
By all accounts, 2021 was a very good year for Rodrigo Amado. One of the leading lights of the Portuguese avant-garde, the indefatigable tenor saxophonist first released The Field (NoBusiness), featuring his Motion Trio (with cellist Miguel Mira and drummer Gabriel Ferrandini) alongside guest pianist Alexander von Schlippenbach, and Let the Free Be Men (Trost), with his now-frequent collaborators saxophonist Joe McPhee, bassist Kent Kessler and drummer Chris Corsano. But if these two albums come to overshadow We Are Electric, ...
read moreFriends & Neighbors: The Earth Is #
by Mark Corroto
The importance of choosing a name for your jazz band is often underestimated. Take the quintet Friends & Family for instance. When it was formed in 2008, it wasn't dubbed the André Roligheten Quintet or the Oscar Grönberg Band. No. From its beginnings, the quintet shared composing duties among its members as well as dutiful deference to each musician's sound. Proof of this friendship among neighbors (all live in Norway) is a string of excellent releases. The Earth Is # ...
read moreCortex: Legal Tender
by Mark Corroto
The Norwegian quartet Cortex answers the question, what would have happened if the Wynton Marsalis and Branford Marsalis, had advanced the jazz canon instead of looking backwards for inspiration. Remember when the two young lions burst onto the scene in the 1980s with their self-righteous mission to save jazz? They did so by stuffing it, much like a taxidermist, to preserve an endangered species. Their neocon approach actually can make us grateful for bands like Cortex with their inclinations to ...
read moreScheen Jazzorkester & Thomas Johansson: As We See It...
by Glenn Astarita
Given the breadth of the Clean Feed label's extensive Scandinavian improvisation and free jazz discography, this large-scale orchestra, featuring venerable trumpeter Thomas Johansson, is not strictly framed on avant-garde persuasions. In fact, the predominate x-factor that deals the KO punch is how hummable melodic hooks alluringly coexist with emotive soloing without an endless range of cacophonic dialogue, which is an element that, at times, can pose severe listening fatigue for the willing listener. With forceful melodies and a ...
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