Home » Jazz Articles » Album Review » Gene Bertoncini: Quiet Now

Gene Bertoncini: Quiet Now

By Jerry D'Souza
August 7, 2005
View read count

Playing solo jazz requires skill and dexterity—not just as a player, but also in selecting the tunes and keeping the listener's attention locked in. Gene Bertoncini balances his program on Quiet Now with standards, classical tunes, and a Brazilian piece. He keeps the going tight; the CD clocks in under 42 minutes, time enough to make a statement and leave behind a sense of fulfillment. This stems not only from the selections, which suit his gentle, laid back approach and his crisp, translucent playing, but also the way he lets melody sweep across in warm tonal colours and lets harmony extend cogent expression.

Of the four medleys, his pairing of "Giant Steps" and "On a Misty Night may seem unusual until Bertoncini gets right to the gist. He slows down the pulse of the first and then invigorates the second with a bright harmonic touch, the contrast working well enough. Over on the classical side, he lets the melody of Schumann's "Traumerei fall softly, adding texture and harmonic depth through the use of the bass strings. He brings about the innate sentimentality of "My One and Only Love in slow exposition, never missing out on the underlying vibrancy, a quality that rises from the chunky chords he intersperses into the melody.

Visit Gene Bertoncini on the web.

Track Listing

Lush Life/Isfahan, My One and Only Love, Giant Steps/On a Misty Night, Traumerei, So in Love/The More I See You, Olha Maria, Quiet Now, Nessun Dorma, Waltz for Debbie/Very Early, Theme from

Personnel

Gene Bertoncini

guitar

Gene Bertoncini (Buscarino acoustic guitar)

Album information

Title: Quiet Now | Year Released: 2005 | Record Label: Ambient Records

About Gene Bertoncini

PREVIOUS / NEXT

Live The Life
< Previous

Cedric Im Brooks & The Light Of Saba
Next >

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.