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Jazz Articles about Gene Bertoncini

Album Review

Gene Bertoncini / Roni Ben-Hur: Smile: Jazz Therapy Volume 1

Read "Smile: Jazz Therapy Volume 1" reviewed by J Hunter

In November 2007, Roni Ben-Hur and his bassist Earl May approached Motema Records with a great idea: They would record a duo CD, pro bono, as a fundraiser for the Dizzy Gillespie Memorial Fund, a trust created by Engelwood Hospital and Medical Center to fund health care for jazz musicians who can't afford it (i.e. just about every player not named Wynton Marsalis). May's sudden death the following January could have sent this worthy concept off the rails; instead, Gene ...

Album Review

Gene Bertoncini / Roni Ben-Hur: Smile: Jazz Therapy Volume 1

Read "Smile: Jazz Therapy Volume 1" reviewed by Dr. Judith Schlesinger

This is a terrific release for several reasons. For one thing, everyone involved in the CD's creation and promotion donated their services, which funnels all proceeds directly to the Dizzy Gillespie Memorial Fund of the Englewood Hospital and Medical Center in Englewood, New Jersey. According to Jana Herzen, president of Motema Music, Smile:Jazz Therapy Volume 1 is the first of a series that will benefit this and other Jazz Foundation of America projects. As a result, a worthy cause matches ...

Album Review

Gene Bertoncini / Roni Ben-Hur: Jazz Therapy, Volume 1: Smile

Read "Jazz Therapy, Volume 1: Smile" reviewed by Karen Hogg

Smile, the inaugural CD from Motema's Jazz Therapy series, comes from guitarists Gene Bertoncini and Roni Ben-Hur and benefits a very worthy cause. The proceeds from the album, the first recorded collaboration between the pair, go to the Dizzy Gillespie Memorial Fund at Englewood Hospital, providing free medical care to jazz musicians in need. The music is beautiful and, dare one say, therapeutic. The guitarists work well together, with Bertoncini's lyrical nylon string work complementing Ben-Hur's more ...

Album Review

Gene Bertoncini: Concerti

Read "Concerti" reviewed by Michael P. Gladstone

What could possibly be better than hearing guitarist extraordinaire Gene Bertoncini on Concerti? Simply, being ten feet away from the bandstand and viewing his quicksilver style of playing, astounding an appreciative audience. Bertoncini, over the course of several decades, has become an elder statesman plectrist, working in a number of settings--solo, duet, trio or larger ensembles. On Concierti , Bertoncini works with members of The Eastman School of Music in Rochester, New York, where he has been ...

Album Review

Gene Bertoncini: Concerti

Read "Concerti" reviewed by AAJ Italy Staff

Il chitarrista americano Gene Bertoncini ha alle spalle una lunghissima carriera a metà fra il jazz e la musica classica, senza dimenticare il suo lavoro come session man per sedute legate al cinema e alla musica commerciale e senza scordare la sua pluridecennale attività didattica. A settant’anni dimostra con questo lavoro di essere ancora in gran forma e capace di operare scelte artistiche di assoluto valore, fornendo una delle prove più convincenti della sua carriera. Questo album lo vede in ...

Album Review

Gene Bertoncini: Concerti

Read "Concerti" reviewed by Laurel Gross

At 70, guitarist Gene Bertoncini continues to make standards and classics breathe and shimmer, inviting listeners to experience them in new ways. On Concerti, his considerable skill at navigating a nylon-stringed guitar are complemented by a group of highly capable string players and clever arrangements, all crucial to this winning endeavor. Engineer Mark Conese deserves mention for the excellent sound quality of this recording, which he co-produced. Allying with strings is more than a gimmick or a ...

Album Review

Gene Bertoncini: Concerti

Read "Concerti" reviewed by Dan McClenaghan

Concerti is twenty-six strings vibrating: A string quartet--two violins, a viola and a cello--with a bass added on the bottom end, fronted by the nylon-string acoustic guitar of Gene Bertoncini.A top notch guitarist who has taught for forty years at the Eastman School of Music, Bertoncini enlisted some of his colleagues from the school to arrange for the string section. The results are a buoyant and sweet mix of jazz sidling up to the classical side of sound.


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