Home » Jazz Articles » Interview » Pat Martino: Martino Unstrung

1,972

Pat Martino: Martino Unstrung

By

View read count
AAJ: Any number of people who see the new film will have undergone their own personal traumas, whether medical, divorce, natural disaster, and so on. What would you like those people to learn from the film? I know you've given talks at hospitals on this subject, what would you like to say to those who have suffered memory loss?

PM: Something very simple. Definition. How we define what we like or dislike. If we could see like and dislike from a distance, we'd no longer be subject to either of them. And that allows us to consider our suffering in a different light. Try to remember a time when you wanted to change the color of your complexion, and you went to the beach, and you prepared to put on suntan lotion, lie down on your blanket or towel, and consciously suffer to become what you wanted to be, namely get a tan. If you could suffer like that to reach any of your goals in recovery, you will achieve them.

AAJ: You don't see a difference between intentional suffering to achieve an end and the suffering that is brought on by traumatic events?

PM: No suffering should be intentional. If you are brought into a situation that requires professional or medical assistance, get another opinion as to alternatives. But any way that you go is going to be difficult.

AAJ: In other words, part of meeting the challenge is to accept the difficulty, not fight the difficulty.

PM: Exactly. And do it from the bottom of your heart. That's called courage. And there's something healing about it. Self-esteem is healing. To do the best you can and be proud of yourself in the process.

AAJ: That's such a beautiful statement. The way you phrased it is so eloquent.

PM: Plant, plant seeds, let them grow, and move forward.

Visit the movie website for Martino Unstrung here and watch the film trailer here.


About Pat Martino

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Popular

HIDDEN GEMS

Jazz article: Kissas... Brooklyn Style
Jazz article: Talking While Playing, Sub Division, and Translating Scat
Mr. P.C.'s Guide to Jazz Etiquette and Bandstand Decorum
Talking While Playing, Sub Division, and Translating Scat
Jazz article: Stefan Pasborg: A Drummer’s World of Vinyl

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.