Home » Jazz Musicians » Ray Copeland
Ray Copeland
Thelonious Monk: Monk Live In Paris 1967 Volume One
by Jack Kenny
This Paris concert formed part of a European tour organized by the impresario George Wein, who had previously presented numerous Thelonious Monk Quartet engagements. Seeking something different, Wein proposed an expanded ensemble. Monk was initially reluctant to depart from the quartet format and only agreed after considerable persuasion. Crucially, he retained artistic control: he selected the additional musicians himself and insisted on using Hall Overton's arrangements, familiar from the earlier concerts Town Hall (Riverside 1959) and Philharmonic Hall (Columbia 1964). ...
Continue ReadingThelonious Monk: Live In Paris 1967 Volume One
by Joshua Weiner
The discography of Thelonious Monk, bebop architect, composer of enduring standards and idiosyncratically influential pianist, is vast. In addition to Monk's genre-defining studio recordings, several live sets were released during his lifetime, including a notable series put out by Columbia Records during Monk's time on that most major of major labels, from 1962 to 1968. Live In Paris 1967 (Volume One) is a notable addition for several reasons: it is the first official release of material by the Monk Estate ...
Continue ReadingAlbum Review
Thelonious Monk, John Coltrane: Thelonious Monk with John Coltrane 1957. Revisited.
by Stefano Merighi
Ci sono sodalizi artistici che segnano in maniera indelebile la ricchezza creativa dei protagonisti. Tra questi, di sicuro quello tra Thelonious Monk e John Coltrane, anno di grazia 1957. L'estroso pianista e compositore, ancora lontano dal ricevere i riconoscimenti meritati, trova finalmente qualcuno che interpreta le sue partiture con rara dialettica esecutiva: leggerezza e profondità, acume sottile e abbandono istintivo. L'apollineo sassofonista, all'epoca ancora turbato dalla tossicodipendenza, passa dalla frustrazione di un licenziamento da parte di ...
Continue ReadingThelonious Monk: With John Coltrane 1957 Revisited
by Chris May
Once again, the ezz-thetics label has taken some of the finest artefacts of mid-twentieth-century US jazz and sonically restored them, bringing an unprecedented level of clarity, precision and presence. It is no exaggeration to say that the Swiss-based label's work can be compared with the restoration of Michelangelo's frescoes on the ceiling of the Sistine Chapel during the 1980s, both in terms of the quality of the original material and the artistry with which the renovation has been executed. The ...
Continue Reading

