John Fedchock: Justifiably J.J.

The accomplished trombonist John Fedchock has released Justifiably J.J., a heartfelt tribute to one of the most innovative figures in jazz, trombonist J.J. Johnson on the occasion of his centennial. Recorded live at The Jazz Kitchen, Indianapolis, Indiana, on March 3, 2024 (Johnson's hometown), Fedchock was accompanied by three top players: pianist Steve Allee, bassist Jeremy Allen and drummer Sean Dobbins. The session features eight swinging compositions written by or associated with Johnson, but instead of attempting to reinvent or modernize Johnson's compositions, Fedchock takes a more respectful approach by performing his original arrangements.

Fedchock ensures that his interpretations are imbued with his own mastery, beginning with the opening track, "Naptown U.S.A," which was the nickname for Indianapolis rooted in the city's jazz culture in the 1920s. The number is a contrafact based on the chord changes to "Back Home Again in Indiana." From the opening bars, Fedchock's command of his instrument is evident from the fluidity of his phrasing to the vibrant tone. The rhythm section validates: they are empathetic, thoughtful, and enlightened partners. The only non-Johnson original in the album is "Lullaby of Jazzland," by Manny Albam. Allen's free-flowing bass-playing anchors this joyful swinger, on which Fedchock, Allee and Dobbins build their svelte and gear-jumping solos.

A change of pace follows with "Kenya"'s Afro-Cuban feel. The number opens with a drum solo from Dobbins, in which he confirms his roguish, beefy sound. The rhythm section provides a solid, swinging foundation, leaving ample space for Fedchock to shine as he does on Johnson's most recognizable composition, "Lament." First released in 1955 by Johnson and Kai Winding on Savoy Records on the album Jay and Kai. Here, Fedchock, with his solid intonation and relaxed phrasing, covers the number with deep admiration for Johnson's legacy.

The album's final number is "Ten 85," derived from Johnson's house number in Indianapolis before his passing in 2001. This spirited chart pulls all the stands together, with Fedchock demonstrating his prowess with the trombone, supported by Allee's complementary pianistic touch. At the same time, Allen's bass provides the rhythmic pulse, and Dobbins's drumming is dynamic and tasteful.