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Article: Album Review

Mark Winkler: Hold On

Read "Hold On" reviewed by Pierre Giroux


Throughout his extensive career, Mark Winkler has been a steadfast presence on the Los Angeles jazz scene, earning a reputation as one of the most versatile and captivating vocalists in contemporary jazz. With Hold On, his 22nd album, Winkler continues to demonstrate that artistic growth and creative curiosity remain central to his work. While many artists ...

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Article: Album Review

Jim Witzel Quartet: Very Early (Remembering Bill Evans)

Read "Very Early (Remembering Bill Evans)" reviewed by Troy Dostert


While tributes to pianist Bill Evans have certainly not been in short supply over the years, he has unsurprisingly been given far more attention by pianists than from other instrumentalists. Efforts from guitarists have been particularly rare. There are some noteworthy exceptions: John McLaughlin took a stab at it in 1993 with Time Remembered (Verve) alongside ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Jack Kenny


The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Dan McClenaghan


Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...

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Article: Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Pierre Giroux


Catina DeLuna and Otmaro Ruíz have once again teamed up to explore the rich tapestry of Brazilian music in Lado B Brazilian Project 2. As a follow-up to their earlier exploration of this repertoire, this album sees the duo delve even deeper into Brazil's lyrical and melodic treasures, producing results that are both innovative and rooted ...

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Article: Album Review

Emma Hedrick: Newcomer

Read "Newcomer" reviewed by Kyle Simpler


As long as there are songs, there will be singers to sing them, but there is a slight difference between a singer and a vocalist. Singers, no matter how talented, tend to remain in the foreground with the band in support. A vocalist, however, uses the voice as an instrument, becoming an integral part of the ...

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Article: Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Katchie Cartwright


In a time of disembodied digital-only releases, luxuriously well-crafted albums like Catina DeLuna and Otmaro Ruiz's Lado B Brazilian Project 2, with physical disk, album notes, lyric translations and evocative graphics, can really be the balm. The project was born in 2015 with the release of Lado B Brazilian Project (Self Produced), which received ...

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News: Music Industry

Barbara Brighton: A Quarter Century Of Blazing Trails For Female Jazz Producers

Barbara Brighton: A Quarter Century Of Blazing Trails For Female Jazz Producers

Reflecting upon her extraordinary 25-year career as one of Los Angeles’ premiere and most respected jazz producers, Barbara Brighton connects powerfully with—and continues to wholeheartedly embody—an insightful quote from four-time Grammy winner Orrin Keepnews, a transcendent figure in 20th century jazz who set standards as as producer, label owner and journalist/liner notes writer. “One of the ...

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Article: Album Review

Antonio Adolfo: Carnaval - The Songs Were So Beautiful

Read "Carnaval - The Songs Were So Beautiful" reviewed by Pierre Giroux


Veteran pianist, composer, and arranger Antonio Adolfo has long been a master at capturing the essence of Brazilian music through a jazz perspective. On Carnaval (The Songs Were So Beautiful), Adolfo draws on a wide range of traditional Brazilian carnival styles-- sambas, marchinas, marchas-rancho, and frevos--to create a vibrant and richly textured album that bursts with ...

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Article: Album Review

Anaïs Reno: Lady of the Lavender Mist

Read "Lady of the Lavender Mist" reviewed by Pierre Giroux


Anaïs Reno continues to strengthen her reputation among the top young interpreters of the Great American Songbook with her album Lady of the Lavender Mist. Four years after her debut, Reno returns with greater vocal maturity, deeper interpretive insights, and support from a seasoned rhythm section featuring guitarist Peter Bernstein, bassist David Wong and drummer Joe ...


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