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9

Article: Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...

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Article: Album Review

Harold Mabern: Mabern Plays Mabern

Read "Mabern Plays Mabern" reviewed by Mike Jurkovic


A tad more subdued than the barn-burning The Iron Man: Live At Smoke (Smoke Sessions Records, 2019), Mabern Plays Mabern still manages to jump full throttle from where that defining recording left us, with a lush, lyrical intensity and a vital, legacy-culling energy which plays as an exquisite coda to the pianist's long, outstanding career.

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Article: Album Review

Emmet Cohen: Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath

Read "Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath" reviewed by Mike Jurkovic


Set aside for the moment that the combined age of the elders here is 174 years. Emmet Cohen's Masters Legacy Series Volume 3 Featuring Benny Golson & Albert “Tootie" Heath is not only a mouthful of a title, but also irascibly and irrepressibly old school. It's as if Cohen, in his youthful (29) zeal and zest ...

6

Article: Album Review

Michael Dease: Never More Here

Read "Never More Here" reviewed by Dan McClenaghan


Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...


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