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Jeremy Allen
Jeremy Allen is a bassist in Bloomington, Indiana. He teaches in the jazz studies department at the Indiana University Jacobs School of Music, and he performs and records regularly in the Midwest and elsewhere.
Jeremy studied at Indiana University and at New England Conservatory, and prior to returning to Bloomington to teach in 2006 he lived in Boston and in Brooklyn, NY.
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Dave Stryker: Stryker with Strings Goes to the Movies
by Richard J Salvucci
If this recording were named “Dave Stryker Plays Bernard Hermann" (or Miklós Rózsa or Elmer Bernstein), well that would be just fine. They were all gifted composers who wrote film scores. The consensus would likely be that a musician like Stryker was hardly wasting his time, but Stryker With Strings Goes to the Movies hits the hopelessly middlebrow button. So how seriously anyone decides to take the results is anyone's guess. That would be a pity, ...
Continue ReadingSteve Allee: Naptown Sound
by Steve Allee
Submitted on behalf of Kyle Long, Producer/Host at WFYI in Indianapolis.If you ask the average music fan to name the greatest jazz cities in America, it's unlikely that Indianapolis would top their list. That's a shame, as those familiar with the city's history know better. They see the unique fingerprints of Indianapolis musicians across the broad timeline of jazz. In all fairness, Indianapolis, or Naptown as we locals affectionately call it, doesn't have the unrivaled depth ...
Continue ReadingDave Stryker: Stryker with Strings Goes to the Movies
by Jack Bowers
Guitarist Dave Stryker, who is at home in any venue, Goes to the Movies on this ambitious album, wherein his working quartet is greeted by a thirty-piece orchestra with strings and four talented guest artists. There are some gems here--Henry Mancini's “Dreamsville," Rodgers and Hammerstein's “Edelweiss," Ennio Morricone's theme from Cinema Paradiso among them--and a few pleasant surprises as well. Songs in the latter group include “You Only Live Twice," from the James Bond film of that ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Jack Bowers
Among jazz trombonists with a sense of history, the name J.J. Johnson is spoken with an admiration that borders on reverence. Johnson was a pacesetter, a creative and articulate slideman and improviser who, either alone or with sometime partner Kai Winding, held the keys to the trombone kingdom from the early 1940s until his retirement more than half a century later. In the early '40s, Johnson brought the trombone--long associated with swing and Dixieland bands--forward into the bop world of ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Pierre Giroux
The accomplished trombonist John Fedchock has released Justifiably J.J., a heartfelt tribute to one of the most innovative figures in jazz, trombonist J.J. Johnson on the occasion of his centennial. Recorded live at The Jazz Kitchen, Indianapolis, Indiana, on March 3, 2024 (Johnson's hometown), Fedchock was accompanied by three top players: pianist Steve Allee, bassist Jeremy Allen and drummer Sean Dobbins. The session features eight swinging compositions written by or associated with Johnson, but instead of attempting to reinvent or ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Dan McClenaghan
J.J. Johnson saved his instrument from possible obscurity. Rarely used as a front-line instrument pre-Johnson, the trombone might have faded away when bebop came along. Bebop--all those rapid-fire notes from trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker. At that time, the trombone was considered too cumbersome to navigate the chord changes and the rhythmic fury of the new music. J.J. Johnson proved otherwise, starting with several recording dates for Prestige and Savoy Records from 1946 to 1949.
Continue ReadingBuselli / Wallarab Jazz Orchestra: The Gennett Suite
by Dan McClenaghan
This is where music for mass consumption--recorded music--started, in Richmond, Indiana, in the 1920s, in a piano factory by the railroad tracks in a glacier-carved gorge. Established in 1887, in the beginning Starr Pianos' bread and butter was pianos, but they branched out to selling other instruments and eventually photographs and records--their own records, recorded in the piano factory, taking breaks in the process when a train came by. At first, they called their recording side of the business Starr ...
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Music
Dippermouth Blues
From: The Gennett SuiteBy Jeremy Allen
Rituals
From: RitualsBy Jeremy Allen
