513

Cassandra Wilson: Closer to You: The Pop Side

Ian Patterson By

Sign in to view read count
Cassandra Wilson: Closer to You: The Pop Side Any vocalist who can take an old chestnut like "St. James Infirmary" and make it swing and crackle like never before, as Cassandra Wilson did on the wonderful Loverly(Blue Note, 2008), is surely something a bit special. Wilson's ability to make old material sound freshly minted is nothing new however, and Closer to You: The Pop Side isn't a quickly recorded cash-in on the cross-over appeal of Loverly, but a compilation of very personal interpretations of popular songs she has recorded over the years.

What's striking about this compilation, is just how much of a blues singer Wilson is at heart. Slowing things down on "Last Train to Clarkesville," Wilson breathes a poignancy into the "coffee-colored kisses" and "a bit of conversation" that the original never had. When her dusky bass vocal ponders: "...and I don't know if I'm ever coming home," it's certain she won't. "I Can't Stand the Rain" is another unlikely tune similarly transformed into a pre-electric blues which sounds as timeless as if dusted off from the lost Robert Johnson songbook. Accompanied beautifully by Chris Whitely on acoustic slide guitar, this is Wilson at her impressionistic best, every word and cry heavy with emotion. Elsewhere, Wilson gives a fairly faithful, yet heart-felt rendition of Van Morrison's gorgeous "Tupelo Honey" and brings warmth to Robbie Robertson's "The Weight."

More personal is Wilson's treatment of one of Neil Young's acoustic gems, "Harvest Moon." Beautiful playing from Brandon Ross on acoustic guitar, Kevin Breit's steel guitar and quietly shimmering banjo, and ghostly percussion from Cyro Baptista make this an album highlight. Bob Dylan's "Lay Lady Lay" has a skipping Afro-Caribbean vibe, and is lent real swing by the double upright bass combination of Reginald Veal and Calvin Jones, and the snappy percussion of Jeffrey Haynes. Haynes is also featured alongside drummer Terri Lyne Carrington on Sting's "Fragile." Wilson's performance is understated, allowing the beauty of the melody to carry her, and just a little vocal dissonance is enough to underscore the song's message.

On "Love is Blindness" Wilson's timing, and the emotional depth with which she imbues Bono's lyrics recall late-career Joni Mitchell, perhaps the one singer of the last quarter of a century with whom it is possible to compare Wilson: both Mitchell and Wilson are adventurous singers; both are romantics at heart; and both work lyrics like sculptors. It would be easy to imagine Mitchell doing something similar to Wilson's bewitching take on Cindy Lauper's "Time after Time." Like Mitchell, Wilson makes a pop tune sound like the blues, injects jazz swing at will, and blends genre and styles with her voice so smoothly that such considerations cease to matter.

Mitchell suffered unfairly from a pop world uncomfortable with her jazzy leanings, and a jazz community which perhaps regarded her with uncertainty. But Mitchell was ahead of her time, and laid the ground for singers like Cassandra Wilson to work their own magic with whatever material they wish. And work her magic Wilson does.


Track Listing: Love is Blindness; Time after Time; Fragile; Closer to You; Last Train to Clarkesville; The Weight; Tupelo Honey; Harvest Moon; I Can

Personnel: Cassandra Wilson: vocals; Lawrence "Butch" Morris, coronet (1); Brandon Ross: acoustic guitar, octave guitar and steel guitar (1, 5, 7, 8,10); Kevin Breit: acoustic guitar, bozouki, electric guitar, mandolin, slide resonator guitar and banjo (1, 5, 6, 8, 11); Lonnie Plaxico: bass (1, 2, 5, 7); Marvin Swell: acoustic guitar (2, 6, 11); Doug Wamble: acoustic guitar (2); Jeffrey Haynes: percussion (2, 3, 6, 10, 11); Cecilia Smith: marimba (2); Perry Wilson: drums (2); Fabrizio Sotti: guitar (3); Reginald Veal: acoustic upright bass (3, 4, 10); Teri Lynne Carrington: drums (3); T-Bone Burnett: guitars and vocals (4); Keefus Ciancia: keyboards and piano (4); Jim Keltner: drums (4); Dougie Brown: drums and vibes, whistling and lampshades (5, 8); Mark Peterson: acoustic bass (6, 8, 11); Cyro Baptista: percussion (6, 8, 11); Xavyon Jamison: drums (6); Charlie Burnham: violin (7); Kevin Johnson: percussion (7); Lance Carter: drums (7); The Peepers: background vocals (8); Chris Whitely: guitar (9); Calvin Jones: acoustic upright bass (10).

Year Released: 2009 | Record Label: Blue Note Records | Style: Vocal


Related Video

Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "What Do I Miss" CD/LP/Track Review What Do I Miss
by Geno Thackara
Published: September 10, 2016
Read "Chapters Of My Life" CD/LP/Track Review Chapters Of My Life
by James Nadal
Published: March 16, 2016
Read "Voyager" CD/LP/Track Review Voyager
by Jakob Baekgaard
Published: February 29, 2016
Read "El Barranco" CD/LP/Track Review El Barranco
by Roger Farbey
Published: July 11, 2016
Read "The Drive" CD/LP/Track Review The Drive
by Roger Farbey
Published: November 16, 2016
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Dave Wayne
Published: January 24, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!