Jazz Articles about Wayne Shorter

About Wayne Shorter

Interview

A Fireside Chat With Wayne Shorter

by AAJ Staff
March 3, 2023

This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett was cool. I was the last interview for a handful of artists, a considerable honor. But this Wayne Shorter interview is dear to my ...

Liner Notes

Miles Davis Quintets: Stockholm 1967 & 1969 Revisited

by Mark Corroto
January 16, 2023

Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 with the same man performing in Montreux, Switzerland some forty years later. Both his look and his sound had changed, making him unrecognizable to ...

Album Review

Miles Davis: Stockholm Live 1967 & 1969 Revisited

Read "Stockholm Live 1967 & 1969 Revisited" reviewed by Maurizio Comandini

by Maurizio Comandini
June 22, 2022

Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al culmine della sua parabola artistica, con una musica raffinata e potente allo tesso tempo, tecnicamente complessa eppure resa con grande scioltezza, proprio grazie alla ...

Album Review

Tony Williams: Life Time & Spring Revisited

Read "Life Time & Spring Revisited" reviewed by Maurizio Comandini

by Maurizio Comandini
May 16, 2022

Tony Williams è uno dei più importanti batteristi della storia. Non solo del jazz, ma della musica in generale. Solitamente questa considerazione, ampiamente condivisa, fa riferimento alla sua lunga esperienza come batterista dei quintetti di Miles Davis della seconda metà degli anni sessanta ed eventualmente al suo ruolo di leader del gruppo Tony Williams Lifetime nato nel 1969 e durato un paio d'anni. Due contesti di assoluta eccellenza che quindi giustificano il giudizio dal quale siamo partiti. Questa ottima ristampa ...

Album Review

Charles Mingus & Joni Mitchell: Jivin' with Joni: The Lost Recordings 1978-1979

Read "Jivin' with Joni: The Lost Recordings 1978-1979" reviewed by Mike Jurkovic

by Mike Jurkovic
April 1, 2022

Looks like a bumper month of archival releases awaits the ever ready Mingus aficionado. First, in late April, 2022, Resonance Records unleashes The Lost Album from Ronnie Scott's. Just in time for Record Store Day (April 23) Candid Records releases a sweetly remastered Charles Mingus Presents Charles Mingus. Now, in a joint announcement from Jazz Workshop Inc. and Rhino Records to celebrate the big man's centennial (April 22) comes Jivin' with Joni: The Lost Recordings, 1978-1979. Recorded just ...

Album Review

Anthony Williams: Life Time & Spring Revisited

Read "Life Time & Spring Revisited" reviewed by Chris May

by Chris May
March 15, 2022

Drummer Tony Williams' first two albums as leader, recorded for Blue Note in 1964 and 1965--Life Time when he was only eighteen years old, Spring when he was nineteen--still sound delightfully fresh all these years after their original release. At the time he made them, Williams was a rising star with Miles Davis' second and third quintets, the first a short-lived unit with saxophonist George Coleman, the second a longer lasting one with Wayne Shorter. One of ...

Live Review

Unhinging and Swinging Mythology at the Opera

by Josef Woodard
March 4, 2022

Wayne Shorter and Esperanza Spalding Broad Stage Southern California premiere of opera ...(Iphigenia) Santa Monica, CA February 19, 2022 When last I interviewed Wayne Shorter, in his panoramic view-endowed Hollywood Hills home, the ostensible primary subject was his then-new and ambitious three-disc-plus-graphic-novel project, Emanon. But his ever active, creatively restless mind kept drifting—as it is wont—to his music room, the laboratory for a grand project then obsessing him. That mega-project was his first opera, ...