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John Hollenbeck: Songs You Like a Lot
by Angelo Leonardi
Con questo disco John Hollenbeck conclude la trilogia iniziata otto anni fa sulla reinterpretazione di famosi brani della popular music (Songs I Like A Lot, Sunnyside 2013) e proseguita due anni dopo con Songs We Like a Lot per la stessa etichetta. Nel primo album la scelta dei temi era strettamente personale, nel secondo fu condivisa con alcuni partner (i cantanti Theo Bleckmann e Kate McGarry) ed ora nasce dalla selezione di proposte giunte all'arrangiatore dal suo ...
Continue ReadingJohn Hollenbeck: Songs You Like A Lot
by Dan Bilawsky
Every ending a beginning, each conclusion an act of creation. If multi-hyphenate John Hollenbeck's Songs You Like A Lot doesn't slot within that sentiment, nothing really does. This collection marks the completion of a lauded trilogy that's stretched out across the better part of a decade, but it also signals the start of something new--the Flexatonic Arts non-profit, which will serve as an umbrella for Hollenbeck's arts and education initiatives, and the record label it houses, acting as a home ...
Continue ReadingSimon Nabatov: Time Labyrinth
by Angelo Leonardi
Registrato il 17 aprile 2019 a Colonia, “Time Labyrinth" è la prima parte di un progetto di Simon Nabatov denominato Changing Perspectives, che sarà completato nel prossimo futuro. Il pianista e compositore di origine russa vive nella città tedesca da quasi tre decenni ed è una figura di primo piano nell'universo della musica improvvisata europea ai confini tra jazz d'avanguardia e musica classica contemporanea. Le sei composizioni che costituiscono l'opera si collocano decisamente nell'ambito della musica ...
Continue ReadingSimon Nabatov: Time Labyrinth
by Glenn Astarita
Pianist Simon Nabatov is well-known for his explosive semi-structured presentations and freely navigated improvisational advances within this seemingly limitless musical space. But Nabatov is a composer who often stretches the perceived limits of avant-garde jazz. With this effort, he pursues a largely new approach by employing chamberesque forums via an acoustic-electric platform, intensified by consummate woodwind aces Frank Gratkowski, Matthias Schubert and other stalwarts to round out a drummer-less Germany-based septet. In the liners, the leader states that ...
Continue ReadingSligo Jazz Project 2018: Days 5-6
by James Fleming
Sligo Jazz Project Sligo, Ireland July 28-29, 2018 Not even the boats on the water moved. It was a dark morning. Lit by grey sunlight that carried no heat on its rays. The mist and cold nipped at the skin but otherwise there was barely a twitch of movement. No vigour in the breeze at all. It was buried beneath the stillness. Covered in a blanket of sodden air. At Sligo IT the ...
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