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Arturo O'Farrill & The Afro Latin Jazz Orchestra: Mundoagua: Celebrating Carla Bley
by Angelo Leonardi
Scoperto da Carla Bley nel 1979, quand'era ancora studente diciannovenne, e rimasto nei suoi gruppi per tre anni, Arturo O'Farrill ne celebra la memoria con quest'album ambizioso, che raccoglie due sue suites ed una ("Blue Palestine") che lui stesso commissionò alla grande autrice e bandleader nel 2019, quattro anni prima della sua morte. “Mundoagua" la composizione che apre il disco è stata scritta per commemorare l'Anno dell'acqua ed ha avuto la sua anteprima al Miller Theater di New ...
Continue ReadingArturo O'Farrill: Mundoagua: Celebrating Carla Bley
by Jack Bowers
Mundoagua, the latest album by composer and pianist Arturo O'Farrill's Afro Latin Jazz Orchestra, is subdivided into three suites, the second of which is the four-movement “Blue Palestine," written and arranged by another celebrated composer and pianist, Carla Bley, a leading light in the avant-garde free jazz movement of the mid-twentieth century, who died of cancer in October 2023. The opening suite, “Mundoagua," commissioned by the Columbia University School of the Arts in 2018 to commemorate the ...
Continue ReadingRob Susman: Top Secret Lab
by Jack Bowers
Trombonist Rob Susman, who is inclined to dwell on the cutting edge of contemporary jazz, remains “out there" for the most part on Top Secret Lab, an album wherein his splendid nonet is challenged by half a dozen of Susman's intricate compositions (and two others) and aces every test without any detectable missteps or errant notes. The question is whether Susman's blend of old-school funk with more modern design might whet a listener's appetite. And the answer ...
Continue ReadingDarcy James Argue's Secret Society: Dynamic Maximum Tension
by Angelo Leonardi
Precursore nel 2009 (con l'innovativo Infernal Machines) del nuovo rinascimento orchestrale nel jazz, Darcy James Argue approda all'etichetta Nonesuch e pubblica il nuovo album in studio: un doppio CD realizzato con i consueti partner della Secret Society più l'aggiunta della cantante Cecile McLorin Salvant e della violinista Sara Caswell. A differenza degli ultimi due dischi, Dynamic Maximum Tension non è un'opera multimediale ma conserva la spinta visionaria animata dalla costante riflessione socio-politica. Spinta che si traduce in ...
Continue ReadingDarcy James Argue's Secret Society: Dynamic Maximum Tension
by Katchie Cartwright
Darcy James Argue's superb double-album Nonesuch debut offers compositions written throughout his career. He turns to twentieth-century thinkers for “ideas that can help us in the present, that we can reexamine and reconfigure for our own purposes." These include futurist designer Buckminster Fuller, cryptanalyst-computer scientist Alan Turing, composer-arranger Bob Brookmeyer, actress-screenwriter Mae West, trumpeter-mentor Laurie Frink, and musician-beyond-category Duke Ellington, among others. Like West, Argue seems to control his own path. He may not yet be the tycoon she was, ...
Continue ReadingJoel Harrison: America at War
by Angelo Leonardi
"È tutta la vita che il mio paese conduce tragiche e futili invasioni straniere. Ho sentito che dovevo scrivere su questo fatto, infondere nella mia nuova musica la sua dolorosa eredità." Queste riflessioni aprono il nuovo disco di Joel Harrison, ritornato a sette anni di distanza da Infinite Possibility a guidare un ensemble orchestrale. La storia bellica degli Stati Uniti è piuttosto lunga: in 245 anni ha combattuto 123 conflitti militari vivendo solo 18 anni in completa pace. ...
Continue ReadingArturo O'Farrill: Virtual Birdland
by Jack Bowers
Whenever an obstacle presents itself--even one as devastating and disruptive as a global pandemic--it's a sure bet that musicians will find a way around it, a way to keep making music even in the most grievous circumstances. Jazz musicians have been especially creative during the Covid-19 scourge, using social media, the internet and any other means at their disposal to share their music with the world. True, the paychecks aren't as large or as regular as once they were, but ...
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