Jazz Articles about Pat Bianchi

About Pat Bianchi

Album Review

The Giants singled out by guitarist Barry Greene on his recording of that name include a number of musicians who served as role models and helped shape his singular musical voice. Pat Martino is one, as are Grant Green, Wes Montgomery, Russell Malone and Pat Metheny, each one a stepping-stone on Greene's upward path toward self-identity and mastery of his instrument of choice. Greene paid it forward by teaching for more than thirty years at the University of North Florida ...

Album Review

Pat Bianchi: Confluence

Read "Confluence" reviewed by Pierre Giroux

by Pierre Giroux
March 24, 2026

Pat Bianchi has never been content to let the organ settle into its own mythology. With Confluence, he shows that the organ trio, when in skilled hands, remains one of the most energetic formats in jazz. Joined by saxophonist Troy Roberts and drummer Colin Stranahan, Bianchi delivers a seven-track session that feels more like a late-night set in a lively club than a studio recording; urgent, honest, and full of purpose. The opener, “It Was A Very Good ...

Radio & Podcasts

Classics from Paul Chambers, Eddie Jefferson, and Others With New Music from Joe Gransden, Pat Bianchi and More

by David W. Daniels
March 24, 2026

Artists named above, plus classics from Betty Carter, Big John Patten, and others. New music from Marques Carroll, Ron Carter with Ricky Dillard, and more. Birthday recognition for Charles Lloyd, Nat King Cole, Gary Meek, and others.Playlist Grachan Moncur III “New Africa"--from Exploration (Capri) 00:00 McCoy Tyner “Little Madimba"--from Time For Tyner (Blue Note) 12:18 Freddie Hubbard “Blue Frenzy"--from Breaking Point (Blue Note) 20:46 Betty Carter “Ego"--from Finally (Roulette) 27:02 Paul Chambers “Dear Ann"--from Whims Of Chambers (Blue ...

Album Review

Jorge Cariglino: After the Storm

Read "After the Storm" reviewed by Fran Kursztejn

by Fran Kursztejn
March 21, 2025

Spanish-Argentinian guitarist Jorge Cariglino has maintained an important influence on the jazz game in Madrid for most of his life. He teaches in there, plays with a variety of local and international masters and bolsters an under-reported community to new heights of experimentation and collaboration, despite an unusually slim catalogue of recorded works. After the Storm is more than just a welcome showcase of a talented musician reintroducing his craft to the rest of the world. It is also an ...

Liner Notes

Tim Warfield: One For Shirley

by C. Andrew Hovan
February 20, 2024

Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of styles proliferated throughout the '50s and '60s, from the cocktail jazz of Milt Buckner to the soulful grooves of Big" John Patton. But it ...

Album Review

Clark Gibson: Counterclock

Read "Counterclock" reviewed by Pierre Giroux

by Pierre Giroux
September 10, 2023

Saxophonist Clark Gibson's Counterclock demonstrates the synergy that can be generated by an outstanding group of performers, including trumpeter Sean Jones, trombonist Michael Dease, Hammond B-3 organist Pat Bianchi, vibraphonist Nick Mancini and drummer extraordinaire Lewis Nash. While pushing the boundaries, the set list, with one exception, is made up of original compositions by Gibson and Mancini. The opener, “Conflict," captures Gibson's emotive alto saxophone work as he is pushed along by Nash's drumming and Bianchi's ...

Album Review

Shawn Purcell: 180

by Jack Bowers
October 19, 2022

Guitarist Shawn Purcell's latest CD, 180, is all about swinging; Purcell's trio (Pat Bianchi on Hammond B3 organ, Jason Tiemann on drums) nestles squarely into the groove on the double-quick opener, “Cat and Mouse," which sets an upbeat tone for the album as a whole. The rhythm seldom flags on Purcell's sunny compositions (he wrote all but one of the album's eleven numbers). An exception to the rhythmic rule is the lone standard, Johnny Mercer & Paul ...