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Album Review

Satoko Fujii Orchestra New York: Entity

Read "Entity" reviewed by Neri Pollastri


Undicesimo album per l'Orchestra New York di Satoko Fujii, qui composta di tredici elementi, dei quali ben nove già presenti nel primo lavoro, South Wind, risalente al lontano 1997. Il disco è registrato nel maggio del 2019 ed è uscito già lo scorso anno, ma merita egualmente grande attenzione, in quanto si tratta di un lavoro di primissimo livello. Né poteva essere diversamente, considerando non solo la qualità media, altissima, delle produzioni della musicista giapponese, ma anche l'organico straordinario della ...

Extended Analysis

The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Stefano Merighi


Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo torna a far luce su repertori e organici già conosciuti dai cultori, ma porta in superficie una gran mole di musica fresca, sorprendente, che ...

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Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist's Blue Boyé (Mbari, 1977) by rereleasing it in ...

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Album Review

The Nels Cline Singers: Share the Wealth

Read "Share the Wealth" reviewed by Vincenzo Roggero


L'idea era di registrare delle lunghe improvvisazioni per poi selezionare frammenti, operare un copia-incolla di davisiana memoria e dar vita ad una sorta di mosaico/collage psichedelico. L'ascolto del materiale registrato, la percezione della magia sprigionata dalle sessions e della unicità dei brani hanno cambiato le carte in tavola e suggerito di pubblicare integralmente, senza sforbiciate, quello che è diventato Share the Wealth. Ossia--nella versione doppio LP e CD (oltre ottanta minuti) registrato in soli due giorni dalla versione allargata di ...

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Album Review

Mars Williams: An Ayler Xmas Vol. 4: Chicago vs. NYC

Read "An Ayler Xmas Vol. 4: Chicago vs. NYC" reviewed by Mark Corroto


For more than a decade, Mars Williams has been making (to borrow a phrase) Christmas music great again. He does so by exchanging the saccharine for the sublime, intersecting holiday classics with the music of Albert Ayler. Born out of his Chicago Ayler repertory band which can be heard on Witches And Devils At The Empty Bottle</em> (Knitting Factory Records, 2000), Williams applied the Gospel and spiritual nature of Ayler's methodology to Xmas music. While the eponymously titled first volume ...

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Album Review

The Nels Cline Singers: Share The Wealth

Read "Share The Wealth" reviewed by Mark Sullivan


Guitarist Nels Cline has led the Nels Cline Singers since 2002. While they have sometimes had guest performers on their recordings, the core band has been a trio of Cline, drummer Scott Amendola and bassist Trevor Dunn (originally Devin Hoff). This album expands the group to a sextet with the addition of saxophonist Skerik, keyboardist Brian Marsella and percussionist Cyro Baptista. The experimental ante was further upped by the fact that they had never before played together in this combination, ...

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Radio & Podcasts

Something Blue

Read "Something Blue" reviewed by Patrick Burnette


For the last of our four-episode examination of discs we missed from various best of 2010's lists (and that's almost, but not quite, rapping, isn't it?) it's all about “something blue." Or, in this case, something Blue Note. One entry on Avant sneaks in on the basis of its title, so at least it's not a Blue-opoly. In pop matters, Mike takes a minute to slag off Laura Marling and Elliot Smith while Pat wonders if a much more talented ...


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