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Jazz Articles about Nels Cline

1
Album Review

Nels Cline: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Vic Albani


La straordinaria etichetta Pyroclastic Records, guidata da Kris Davis, aggiunge un altro gioiello alla sua collezione di incisioni di questo primo decennio di attività. Protagonista questa volta è un trio d'eccezione: Craig Taborn, Nels Cline e Marcus Gilmore. L'idea nasce dal produttore e poeta David Breskin, mente creativa dietro l'etichetta e collaboratore di lunga data dei tre musicisti. Nonostante Taborn, Cline e Gilmore abbiano suonato insieme solo sporadicamente, Breskin ha intuito il potenziale della loro unione, e non ...

14
Album Review

Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Jack Kenny


The concept of a musical “supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his bass lines to ensure his contribution was heard in the final mix. Even earlier, Louis Armstrong's Hot Five and Hot Seven unequivocally ...

18
Album Review

Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Mike Jurkovic


Maelstroms come and maelstroms go, but the maelstrom generated by a pumped-up Marcus Gilmore on Ronald Shannon Jackson's  “Nightwhistlers," the concussive kicker that jump-starts Trio of  Bloom, holds its storm-warning, jazz-rocking, course. That guitarist Nels Cline--cranked by the spirit of Jimi Hendrix via Bill Frisell circa late '87; and keyboardist Craig Taborn (himself a modern acolyte of Horace Silver and John Cage) add their key signatures makes for a hell of an opener. One not soon forgotten. Taborn's ...

19
Album Review

Nels Cline: Consentrik Quartet

Read "Consentrik Quartet" reviewed by Don Ball


While Nels Cline has been playing the guitar-hero rock star for the past two decades with Wilco, he continues to release his own solo recordings under various names (including the Nels Cline 4 and the Nels Cline Singers, which, amusingly, contain no vocalists) tailored toward the avant-garde side of jazz (with the notable exception of his lush, lovely jazz orchestra Blue Note release from 2016, Lovers). His 2025 release, Consentrik Quartet, brings together some of the finest jazz musicians working ...

1
Radio & Podcasts

Nels Cline, Billy Mohler, Koi Kingdom, Sophie Lüssi & More

Read "Nels Cline, Billy Mohler, Koi Kingdom, Sophie Lüssi & More" reviewed by Ludovico Granvassu


A slew of gorgeous new albums on the NY-LA express is at the core of this episode which also takes us to Switzlerland and Australia, for good measure!Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Billy Mohler “Those Who Know" The Eternal (Contagious) 0:16 Host talks 4:28 Nels Cline “The Bag" Consentrik Quartet (Blue Note) 6:04 Host talks 10:58 Sophie Lüssi “Orpheuspotter" Atlantic Puffin (ezz-thetics) 13:09 Koi Kingdom “Ark" Koi ...

2
Radio & Podcasts

Nels Cline: The Shape of Sound

Read "Nels Cline: The Shape of Sound" reviewed by Leo Sidran


For nearly two decades, Nels Cline has been best known as the mercurial, shape-shifting guitarist of Wilco, a role that has introduced his name to legions of fans and placed him at the center of a beloved and influential American band. But to reduce Cline's career to his work with Wilco would be to miss the expansive, restless nature of his artistry. He is a guitarist's guitarist--an improviser, a sonic architect, and a musician equally at home in the avant-garde ...

52
Album Review

Various Guitarists: The Middle of Everywhere: Guitar Solos Vol. I

Read "The Middle of Everywhere: Guitar Solos Vol. I" reviewed by Glenn Astarita


Produced by laudable guitarist/composer Joel Harrison and the Alternative Guitar Summit, The Middle of Everywhere: Guitar Solos Vol. 1 is a compelling exploration of the intersections between jazz, classical and world music traditions--think of it as a musical United Nations, where six-stringed diplomats from various genres come together to harmonize. In the album liners, Harrison states, “The idea for this project started when I presented a concert of virtual solo performances from around the world during the pandemic." Hence, it ...


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