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Natuski Tamura, Jim Black: NatJim
by Alberto Bazzurro
Un bel dialogo franco e convincente illumina le varie città evocate nei diversi momenti della giornata e stati d'animo dai titoli degli otto brani che coprono la parte preponderante del CD, tutti a firma di Natsuki Tamura, dove peraltro il propellente-Black è senz'altro decisivo per tracciare il perimetro espressivo, il climax, dell'album attraverso una prova di grande sostanza cui il trombettista nipponico si adegua assolutamente di buon grado. Un quarto di secolo dopo il loro primo incontro ...
Continue ReadingSatoko Fujii Quartet: Dog Days Of Summer
by Dan McClenaghan
Satoko Fujii Quartet's Dog Days Of Summer has been a long time coming. It is the re-emergence of one of her most exciting bands, the Satoko Fujii Quartet. They had a great run from 2002's Vulcan (Libra Records) until 2008's Baccus (Muzak Records). Then the group went into a dormancy. In the meantime, Fujii has released over a hundred albums--including twelve in 2018 alone--in every imaginable format, from solo piano to big bands and almost everything in between.
Continue ReadingNatsuki Tamura, Satoko Fujii: Aloft
by Alberto Bazzurro
Sei improvvisazioni svarianti fra i cinque e i dieci minuti compongono questo nuovo capitolo della saga discografica (molto nutrita, ormai da diversi anni in qua) dei coniugi giapponesi, sempre pronti a misurarsi con nuove sfide, ma nel contempo molto attenti a preservare dati punti fermi. Qual è, ovviamente, il loro sodalizio, sia in duo, come qui, che in organici più ampi. La contrapposizione più avvertibile, in questo nuovo lavoro, è fra il suono limpido--diremmo canonico, se il ...
Continue ReadingNatsuki Tamura / Satoko Fujii: Aloft
by Doug Collette
Pianist/composer Satoko Fujii has released over one hundred albums since 1996 and, in line with that prolific output, Aloft is the third record she has appeared on just in 2024; see also the Kaze ensemble's Unwritten (Libra Records, 2024) and the Tokyo Trio's Jet Black (Libra Records, 2024). While it is fair to say she does not make a habit of repeating herself, she is nevertheless aware of what settings offer self-renewing sources of inspiration to her seemingly ...
Continue ReadingSatoko Fujii & Natsuki Tamura: Aloft
by Mike Jurkovic
Feel air move around you throughout the forty-nine or so minutes of Aloft, the latest entry into the ever-compelling soundtrack of Satoko Fujii and Natsuki Tamura's creative coexistence. It ripples like a pond while it roars like the sea. It rafts the updraft and dives in for the kill. It is life in a nutshell: an epic tale of joy a lifetime long. But to hear it revealed in this way--piano, trumpet, lionhearted--is both a privilege and an honor.
Continue ReadingNatsuki Tamura, Satoko Fujii: Aloft
by Dan McClenaghan
A lot of ink has poured from the pens of jazz writers in ruminations on the art of Satoko Fujii. With over a hundred album releases under her name and under the names of various groups she has led, she has given the scribes plenty to listen to and write about. Solo albums, big band albums and every size ensemble in between have come out in relative dribs and drabs--three or four releases a year--or in torrents (see 2022 comment ...
Continue ReadingNatsuki Tamura & Jim Black: NatJim
by Glenn Astarita
Few albums capture the sheer joy of music-making as vividly as NatJim, the first duo recording from trumpeter-composer Natsuki Tamura and drummer Jim Black in over a quarter century. This avant-garde jazz session is a spirited reunion, highlighting their exceptional synergy and limitless creativity. The artists have previously collaborated on two albums led by eminent pianist-composer Satoko Fujii's Four, among others. Tamura, a globetrotting trumpeter since his initial U.S. visit in 1986, infuses the presentation with his powerful, ...
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