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Jazz Articles about Louis Hayes

Album Review

Sonny Stitt: Boppin’ in Baltimore Live at the Left Bank

Read "Boppin’ in Baltimore Live at the Left Bank" reviewed by Alberto Bazzurro

L'11 novembre 1973 alla Famous Ballroom di Baltimora il quartetto di Sonny Stitt, fresco reduce dai fasti dei Giants of Jazz (Gillespie, Monk, Winding, Blakey, McKibbon) e certamente in stato di grazia (non aveva del resto ancora cinquant'anni pur essendo già un veterano, per qualcuno addirittura un sorpassato), tenne un concerto ricco di fuoco e invenzioni a getto continuo che oggi, grazie a Jazz Detective, trova posto in un doppio album (CD o LP) comprensivo di ampio libretto di accompagnamento ...

Album Review

McCoy Tyner / Freddie Hubbard Quartet: Live At Fabrik

Read "Live At Fabrik" reviewed by Chris May

Warning! Highly Flammable Material! This superb album, recorded in Hamburg in 1986 and never previously released, ought to come with a caution, so incendiary is it. Strictly speaking, Live At Fabrik presents pianist McCoy Tyner's trio with bassist Avery Sharpe and drummer Louis Hayes and guest artist Freddie Hubbard on trumpet and flugelhorn. In actuality, Hubbard's power-packed presence transforms the unit into a co-led quartet, as the cover art acknowledges. The 2 x CD album is, in ...

Album Review

Louis Hayes: Crisis

Read "Crisis" reviewed by Jack Bowers

Louis Hayes--who has been a force in jazz drumming for more than sixty years, anchoring legendary groups led by Horace Silver, Cannonball Adderley, Oscar Peterson, John Coltrane and Sonny Rollins, among others--has assembled a quintet of New York City's finest for Crisis, wherein he pays musical tribute to some of his jazz colleagues, past and present, including Freddie Hubbard, Joe Farrell, Lee Morgan, Bobby Hutcherson and two members of his working unit, vibraphonist Steve Nelson and bassist Dezron Douglas.


Dial "S" for Sonny

Read "Dial "S" for Sonny" reviewed by C. Michael Bailey

Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz piano that places both Clark and Hope conceptually and stylistically beyond Powell. Clark was born in Georgia and raised outside of jny: ...

Album Review

Dexter Gordon: Tokyo 1975

Read "Tokyo 1975" reviewed by Mike Jurkovic

Though in many regards a standard, none-too-frenetic quartet setting, Dexter Gordon Quartet Tokyo 1975 is still as grand a starting point for Elemental Music's inaugural launch of previously unreleased jazz performances as can be. Gordon found himself exuberantly liberated from the antiquated (and sadly all too present) prejudices of America during his fourteen-year expatriation to Europe from 1962 to '76. Working and living primarily in Paris and Copenhagen, Gordon gigged and recorded with visiting friends and fellow expats ...

Album Review

Dexter Gordon Quartet: Tokyo 1975

Read "Tokyo 1975" reviewed by C. Michael Bailey

Elemental Music is a record label that can be uttered in the same breath with Omnivore Records and Resonance Records. These labels can be credited with significant additions to the universal jazz catalog. Near recent examples of unreleased performances put out by Elemental Music include: Art Pepper Live At Fat Tuesday's (2015) and Red Garland's Swingin' On The Korner: Live At Keystone Korner (2015), as well as Jimmy Giuffre: New York Concerts (2014). Elemental Music has since found ...

Album Review

Louis Hayes: Serenade for Horace

Read "Serenade for Horace" reviewed by Victor L. Schermer

This gem of a tribute album is, in the words of the poet Wordsworth, a “recollection in tranquility" conceived and led by drummer Louis Hayes in memory of his beloved lifelong friend, pianist Horace Silver. In 1956, Silver invited Hayes to New York City from his native Detroit to join the Horace Silver Quintet, which produced a series of ground-breaking Blue Note albums. Now, at 80, Hayes' drumming is as superb and as youthful as ever, a reason in itself ...


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