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Jazz Articles about John Surman
John McLaughlin: Where Fortune Smiles
by Roger Farbey
Where Fortune Smiles although customarily attributed to John McLaughlin is as much John Surman's record as it was the Mahavishnu's. But it's probably more accurate to describe it as a collective recording since all five musicians were equally matched players of international standing. The cover art actually depicts all five musicians' names and the title of the album in an egalitarian circular arrangement. The album was recorded at Apostolic Studios, New York in late May 1970, at a time when ...
Continue ReadingMike Westbrook Concert Band: Marching Song Volumes 1 & 2 Plus Bonus Tracks
by Roger Farbey
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category “LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there ...
Continue ReadingJohn Surman: Morning Glory
by Roger Farbey
This is the first John Surman-authorised reissue of his seminal album released on the Island Records label in 1973 (ILPS9237) that acted as a signal delineation between what preceded it (a relatively conventional approach with an emphasis on blistering baritone saxophone outings) and what was to follow (the far more pastoral ECM years, albeit with the occasional quartet and big band foray). Up to this point British jazz has been stoking-up a real furnace of excellent and often ground breaking ...
Continue ReadingJohn Surman: Westering Home
by Roger Farbey
Originally released on Chris Blackwell's Island Records, John Surman's first solo album was a complete departure from his previous works. It presaged the canon of pastoral solo recordings he was to produce later for ECM in contrast to his more robust and conventionally orchestrated recordings. His second and final album for Island, Morning Glory, a year later, was a reversion to the dynamic manifestations to which Surman had been hitherto associated. In subsequent ECM and other recordings Surman ...
Continue ReadingMiroslav Vitous Group
by John Kelman
With the ongoing demand for historic titles to see first-time CD issue, ECM has raised the ante even further with Re:solutions: seven classic recordings, released on CD (four available for the first time and one previously only available for a limited time in Japan), vinyl and high resolution digital formats. They're all important, but 1981's Miroslav Vitous Group stands out as one of the most significant, completing, as it does—and more than three decades after the fact—the Czech bassist's early ...
Continue ReadingS.O.S./: Looking for the Next One
by Glenn Astarita
Complete with an in-depth 16-page booklet--including photos and a storyboard of the core trio's existence, S.O.S features three protagonists of the '70s British progressive- jazz movement and beyond. The band formed in 1973 and lasted through 1976 with one self- titled album for the Ogun record label in 1975. Looking for the Next One, is a 2-CD set comprising of studio and live material that offers previously unreleased material that is grounded on the trio's innovative unification of electronics to ...
Continue ReadingJohn Surman: Manchester, England. June 18, 2012
by David McLean
John SurmanRNCMManchester Jazz FestivalManchester, EnglandJune 18, 2012As the lights slowly dimmed, a small and rather unremarkable man made his way onto the stage, in front of a table strewn with saxophones and wind instruments. However, as the audience soon discovered, when this man begins to play something utterly remarkable and unique is channeled. The room was charged with a quiet but detectable energy as John Surman began one of his first solo appearances ...
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