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Jeong Lim Yang: Synchronicity
by Neri Pollastri
È piuttosto sorprendente questo nuovo lavoro di Jeong Lim Yang, contrabbassista coreana residente a New York dal 2011 e ormai figura molto presente nella musica metropolitana. Alla testa di un eccellente quartetto, entro il quale spicca la viola di Mat Maneri, la Yang presenta un programma di proprie composizioni (solo “Salad for Lunch" è firmata dal pianista del gruppo, Jacob Sacks), estremamente complesse nell'intreccio stilistico e tutte molto aperte agli apporti dei musicisti, che di fatto conferiscono al disco una ...
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by Jerome Wilson
Bassist Jeong Lim Yang is a member of the Brooklyn jazz scene who has worked with many different musicians such as Jason Palmer, Oscar Noreiga, and Kenny Wollesen. On her third album as a leader, she uses a quartet combining motion and atmosphere with melodic beauty elements. The quartet has Mat Maneri on viola, Jacob Sacks on piano, Randy Peterson on drums and Yang on bass. The overall group sound is fluid with the rhythm section shifting through ...
Continue ReadingJeong Lim Yang: Zodiac Suite: Reassured
by Dan McClenaghan
This is bold music. It bursts with freewheeling, chip-on-the-shoulder modernism. It is Korean-born bassist Jeong Lim Yang's take on pianist-composer Mary Lou Williams' Zodiac Suite (Asch Records, 1945). Yang tags her revisitation of the classic piece Zodiac Suite: Reassured. But a revisitation of Williams' original trio rendition—to prime the ears for the experience of hearing this new version—says there was an awful lot of boldness and a big modern lean going on back in the mid-twentieth century. Williams ...
Continue ReadingJeong Lim Yang: Déjà Vu
by Troy Dostert
On her excellent debut record, Déjà Vu, bassist Jeong Lim Yang proves that there's more than one way to make a first impression on a listener. Rather than taking the obvious route with up-tempo workouts or deviously complex compositions, Yang is content to carve out plenty of open space for her music to breathe. Her graceful melodies take shape with subtlety and a quiet assurance that stems both from her skill on her instrument and from the nuanced contributions of ...
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