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Noah Preminger: Zigsaw: Music of Steve Lampert
by Neri Pollastri
Noah Preminger prosegue nella pubblicazione di lavori estremamente interessanti, stavolta dirigendo e interpretando un'opera non sua, ma da lui commissionata al trombettista e compositore Steve Lampert—esperienze vastissime a partire da quelle giovanili con Lionel Hampton e Gerry Mulligan, fino a maturare una personale concezione dell'improvvisazione. Si tratta di un singolare brano unico, lungo oltre quarantotto minuti, fittamente strutturato, ma al tempo stesso illuminato dalle improvvisazioni dei singoli. Il titolo, Zigsaw, rimanda da un lato all'andamento zigzagante della musica, ...
Continue ReadingCésar Cardoso: Dice of Tenors
by Angelo Leonardi
Cresciuto nella sempre più vivace scena jazzistica portoghese, César Cardoso giunge al quarto disco da leader in dieci anni, il primo in cui guida un organico internazionale con gli statunitensi Miguel Zenon al sax contralto (già ospite nel precedente Interchange di quattro anni fa), il trombettista Jason Palmer, il vibrafonista Jeffery Davis, il trombonista italiano Massimo Morganti, il bassista argentino Demian Cabaud e i connazionali Oscar Graça al pianoforte e Marcos Cavaleiro alla batteria. In questo progetto ...
Continue ReadingMichael Thomas: Event Horizon
by Jerome Wilson
Jimmy Katz seems to really be onto something with his Giant Step Arts label. Begun in 2018, the label has established a tradition of recording live performances by modern jazz musicians given complete freedom of repertoire and personnel. That approach has produced several outstanding releases including, earlier this year, The Concert: 12 Musings For Isabella, (Giant Step Arts, 2020) by trumpeter Jason Palmer, who also appears on the label's latest release, this time as a sideman for alto saxophonist Michael ...
Continue ReadingJason Palmer: The Concert: 12 Musings for Isabella
by Jerome Wilson
On March 18, 1990, two thieves went into the Isabella Stewart Gardner Museum in Boston and made off with thirteen works of art, paintings and drawings by masters such as Rembrandt, Degas and Vermeer plus a couple of antique artifacts. To this day, the works have never been recovered and the museum still keeps the empty frames that held them on its walls. One day trumpeter Jason Palmer visited the museum and noticed the empty frames. He eventually learned the ...
Continue ReadingCesar Cardoso: Dice of Tenors
by Jack Bowers
Dice of Tenors is Portuguese-bred tenor saxophonist Cesar Cardoso's ardent salute to a half-dozen of the world's foremost tenor saxophone masters: Sonny Rollins, Dexter Gordon, John Coltrane, Hank Mobley, Joe Henderson and Benny Golson. To carry out that purpose, Cardoso has convened an admirable octet on which he shares the front line with trumpeter Jason Palmer, alto Miguel Zenon, trombonist Massimo Morganti and vibraphonist Jeffery Davis. The group's hard-working rhythm section consists of pianist Oscar Graca, bassist Demian Cabaud and ...
Continue ReadingCésar Cardoso: Dice of Tenors
by Friedrich Kunzmann
Judging solely by the credits and scope of the Portuguese saxophonist César Cardoso's newest undertaking, one could expect a pretty conservative affair. The title of the album sums it up quite adequately. From Benny Golson to Sonny Rollins to Joe Henderson, Cardoso cuts through the oeuvre of some of the most distinguished masters of the tenor saxophone and presents their works in a new light. Of course John Coltrane's “Giant Steps" can't be left out of this equation. Sound familiar? ...
Continue ReadingJason Palmer: The Concert: 12 Musings for Isabella
by Doug Hall
As infamous as the 1990 heist of thirteen works of art from Boston's Isabella Stewart Gardner Museum was, an approach to address the void has not been pursued artistically. Trumpeter Jason Palmer's release “The Concert: 12 Musings for Isabella" has taken on the challenge of composing original interpretations of these paintings and several other fine art objects. Palmer describes his reaction to the vacant frames left on the wall at the Gardner as “empty forms." With the 30th anniversary of ...
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