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Jazz Articles about Jacques Schwarz-Bart

25
Album Review

Roy Hargrove's Crisol: Grande-Terre

Read "Grande-Terre" reviewed by Chris May


Increasingly and with growing momentum, right up until he died at the young age of 55 in 2018, Roy Hargrove was a standard bearer for a new kind of African American jazz. The recipe embraced a variety of styles--jazz, Afro-Cuban music, funk, hip hop and soul--and it influenced a generation of musicians in jazz and beyond. But Hargrove never abandoned jazz, the foundation stone of his style. Instead he regarded other genres as part of a rainbow ...

103
Album Review

Black Lives: People Of Earth

Read "People Of Earth" reviewed by Glenn Astarita


Black Lives is not just a band; it is a movement. Comprised of globally recognized artists across generations and genres, their mission transcends mere musical performance. They aim for a utopia, especially in these turbulent times where words of hate and racism proliferate faster than cat videos on the internet. Now more than ever, their cause is vital. The album does not veer away from its intentions: to raise awareness, inspire change, and celebrate unity. Musicians from the ...

Album Review

Jean-Paul Bourelly: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Vic Albani


Doppio CD o doppio vinile prodotto in HI-Res e con packaging di lusso dalla Jammin'colorS, agenzia per artisti jazz, world, funk, alternativi, hip-hop, electro e sperimentali nonché etichetta indipendente. Il lavoro che ha pubblicato in tanta pompa magna è un ampio collage di musica nera realizzato da 25 musicisti africani, caraibici e afroamericani guidati dalla visione creativa di Stefany Calembert (compagna del bassista jazz Reggie Washington) e produttrice estemporanea dell'etichetta belga. A tutti è stato chiesto di comporre ...

5
Album Review

Jacques Schwarz-Bart: The Harlem Suite

Read "The Harlem Suite" reviewed by John Chacona


Tenor saxophonist Jacques Schwarz-Bart has lived in Paris, Senegal, and Switzerland as well as his native island of Guadeloupe, but his 18 years in Harlem were crucial to his life and career. It was there that he found himself at an inflection point in the dynamic music scene of the late '90s, playing with such transformative visionaries as Roy Hargrove, D'Angelo and Meshell Ndegeocello. With The Harlem Suite, Schwarz-Bart nods affectionately to that time and those figures while ...

11
Album Review

Various Artists: Black Lives - From Generation to Generation

Read "Black Lives - From Generation to Generation" reviewed by Glenn Astarita


Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie Washington, they righteously bestow Black Music as a “source of moral truth and potent weapon against racism." Numerous stars such as saxophonist ...

3
Interview

Jacques Schwarz-Bart's Afro-Caribbean Odyssey

Read "Jacques Schwarz-Bart's Afro-Caribbean Odyssey" reviewed by John Chacona


The saxophonist Jacques Schwarz-Bart was born on the Caribbean island of Guadeloupe in the shadow of La Grande Soufrière, which is both an active volcano and the highest mountain in the Lesser Antilles. Both aspects of that peak get to the heart of Schwarz-Bart's career, which has been characterized by rapid ascents and explosive creativity. About those heights: Schwarz-Bart, who is 58, didn't take up the saxophone until he was 24 years old. Three years later, he was ...

5
Album Review

Jacques Schwarz-Bart: Sone Ka-la 2: Odyssey

Read "Sone Ka-la 2: Odyssey" reviewed by Dan McClenaghan


The French-Jewish-Guadeloupean saxophonist Jacques Schwarz-Bart--a background and name like that has world music written all over it--presented his Sone Ka-La (Emarcy) in 2007, after stints with D'Angelo's Voodoo touring band, Roy Hargrove's Crisol and Rh Factor, Erykah Badu, Meshell Ndegeocello, all influences that helped him craft a hybridization of Afro-Caribbean rhythms and melodies inspired by Gwoka traditions of his native island of Guadeloupe. Gwoka is a music born on the western Atlantic Island in response, in part, to the miseries ...


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