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Jazz Articles about Henry Threadgill

354
Album Review

Henry Threadgill Zooid: This Brings Us To, Volume 1

Read "This Brings Us To, Volume 1" reviewed by Troy Collins


Pi Recordings was founded in 2001 to release a pair of albums by legendary AACM composer/multi-instrumentalist Henry Threadgill, the electric Everybody's Mouth's a Book (with Make a Move) and acoustic Up Popped the Two Lips (with Zooid). This Brings Us To, Volume 1 is his first commercially released recording in eight years--a homecoming of sorts for both Pi and Threadgill. Threadgill's longstanding quintet features Liberty Ellman (acoustic guitar), Jose Davila (trombone and tuba), Stomu Takeishi (acoustic bass guitar) ...

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Henry Threadgill Makes A Move

Read "Henry Threadgill Makes A Move" reviewed by Kurt Gottschalk


Henry Threadgill isn't hesitant to state his place in music. He has, he said quite plainly, “changed music both horizontally and vertically." His work isn't “strident," he said. “It doesn't strike you. You might think you know what's going on, but try to analyze it." And he states it, perhaps, because no one else will. “There are no scholars trying to analyze what I've done and critics certainly don't know," he ...

375
Album Review

Henry Threadgill: Up Popped The Two Lips & Everybody's Mouth's A Book

Read "Up Popped The Two Lips & Everybody's Mouth's A Book" reviewed by Glenn Astarita


This Chicago, IL born modernist worked his way through the ranks of the AACM (Association for the Advancement of Creative Musicians), while eventually forming the highly regarded trio Air, back in the early 70's. Nevertheless, saxophonist/composer Henry Threadgill's prominence sharply increased with the advent of his acoustic/electric Very Very Circus and Make A Move bands. Consequently, the artist burst onto the scene with a highly distinctive compositional style, where he seemingly derived inspiration from Sousa style marches, cabaret, rock, and ...

202
Album Review

Henry Threadgill & Make A Move: Where's Your Cup?

Read "Where's Your Cup?" reviewed by AAJ Staff


Avant-garde jazzmen who record for major labels are the exception instead of the rule. At Columbia, the main exception is Henry Threadgill--a risk-taker who incorporated elements of circus music on his last album, Carry The Day. The alto saxman and Chicago native continues to be influenced by circus music on Where's Your Cup, which has its share of dissonant, chaotic “outside" improvisation but is actually a lot more musical than some might think. This time, one of Threadgill's greatest assets ...


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