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Karl Latham: Living Standards II
by Glenn Astarita
Karl Latham's Living Standards II offers a daring sonic voyage, boldly blending jazz and classic rock into a transformative musical journey. Following its predecessor, Living Standards (Dropzone Jazz Records, 2016), Latham's quintet breathes remarkable new life into rock anthems, reimagining them as inventive jazz fusion pieces. The album's impressive ensemble--including bassist Mark Egan, guitarist Mitch Stein, keyboardist Henry Hey, vibraphonist Wolfgang Lackerschmid and percussionist Roger Squitero deconstructs iconic rock tracks into musical dialogues that transparently surpass customary boundaries. ...
Continue ReadingPete McCann: Without Question
by Jack Bowers
Guitarist and composer Pete McCann pulls out all the stops on Without Question, his seventh album as leader, unveiling his singular talents on everything from burners ("Without Question," “Trifecta") to ballads ("I Can Remember," “January," “Lost City"), blues ("Blues for O.M."), burlesque ("Conspiracy Theory"), biting commentary ("Erase the Hate") and borrowed themes ("Lovely Thing"). McCann, a native of Wisconsin who has been a fixture on the New York scene for more than thirty years, is also smart--smart enough, that is, ...
Continue ReadingBill Bruford: The Summerfold Collection 1987-2008
by John Kelman
Intrepid percussionist/composer/bandleader Bill Bruford began his career in the late '60s art-rock arena with Yes and, later, King Crimson, but jazz has always moved underneath, like an eddying current. His early recordings, well documented on the companion Winterfold Collection, may not speak the language of jazz, but they possess its spirit. By 1986, Bruford was looking for a new path. Crimson had again dissolved, the 1981-'84 incarnation having provided him with the opportunity to explore nascent electronic drum ...
Continue ReadingHenry Hey: Trio: Ri-Metos
by Dan McClenaghan
Henry Hey's name may be unfamiliar to some--he is more of a collaborator than a headline hog--but a good percentage of us have heard his music. He played piano for Rod Stewart during the singer's Great American Songbook phase, and he contributed to David Bowie's 2013 comeback album, The Next Day (Columbia Records), served as musical director for George Michael and has co-written songs for Australian electronics music duo Empire of the Sun. And throw in some soundtracks for popular ...
Continue ReadingDino Govoni: Hiding in Plain Sight
by Jack Bowers
Tenor saxophonist Dino Govoni acquits himself well on the curiously-titled Hiding in Plain Sight, his third album for Whaling City Sound, as do his colleagues on this basically bop-leaning, mainly quintet studio date. The qualifier “mainly" is necessary because trumpeter Alex Sipiagin performs on only five of the album's nine tracks. On the others, Govoni is cradled by his capable rhythm section, pianist Henry Hey, bassist Michael Pope and drummer Jeff “Tain" Watts. Each of the numbers ...
Continue ReadingFive Albums From Bands That Broadened The Jazz Paradigm
by Mike Jacobs
In this installment of BackTracks we take a look at five albums that not only helped expand the jazz paradigm, but also helped establish the band as a re-merging entity (and an ethos) in jazz. Lost TribeMany Lifetimes Arabesque Jazz 1998 In 1998, a first listen to this album could understandably have been a bit of a shocker (or possibly even a letdown) to more than a few Lost Tribe fans. The two ...
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