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About Elliott Sharp

2

Album Review

Ivo Perelman and Elliott Sharp: Artificial Intelligence

Read "Artificial Intelligence" reviewed by Hrayr Attarian


Saxophonist Ivo Perelman has mastered the art of duets. In addition to multiple collaborations with pianist Matthew Shipp, in the third decade of the 21st century he released two box-sets of one-on-one recordings, the first with pianists and the second with other woodwind players. On Artificial Intelligence he is paired with composer and guitarist Elliott Sharp for an entirely improvised four-part set of provocative music. The versatile Sharp, an experimenter par excellence, is immediately in sync with Perelman ...

3

Liner Notes

Andrew Cyrille, Elliot Sharp, Richard Teitelbaum: Evocation

Read "Andrew Cyrille, Elliot Sharp, Richard Teitelbaum: Evocation" reviewed by Howard Mandel


Evocation is what all writing about music must be about and may be the mission of music itself. To create an impression, to summon a memory or tender a suggestion of presence using materials that are not substantially those of the endeavor's subject--isn't that the fundamental purpose of any art? Not to be pretentious or obscure the thing itself: It must be said that master drummer Andrew Cyrille, guitarist-reedist Elliott Sharp and Richard Teitelbaum, the pioneering electronic music ...

Album Review

Wayne Horvitz: Live Forever Vol. 1: The President - New York in the '80s

Read "Live Forever Vol. 1: The President - New York in the '80s" reviewed by Vic Albani


«Numero 1 della Live Forever Series: una collezione di spettacoli dal vivo curata da Wayne Horvitz e Toby Dodds. Il volume 1 contiene un imperversante set dal vivo al CBGBs nel 1987, con un “who's who" della scena downtown NY degli anni '80. Altre tracce includono quattro demo, materiale mai pubblicato dalle sessioni al Power Station per l'album Bring Yr Camera, precedenti demo in studio del 1984, e materiale da due spettacoli dal vivo, sempre al CBGBs, nel ...

2

Album Review

Saadet Türköz, Elliott Sharp: Kumuska

Read "Kumuska" reviewed by Angelo Leonardi


La relazione musicale tra la cantante turco-kazaka e il chitarrista statunitense, iniziata un ventennio fa nel quintetto che registrò Marmara Sea (Intakt 1999) ritorna con una collaborazione a due, non meno singolare e affascinante della precedente. L'universo vocale di Saadet, carico di suoni ancestrali e profonde connessioni col folklore dell'Asia centrale, trova in Sharp il partner ideale per un'indagine che è al tempo stesso arcaica e contemporanea. A differenza del disco precedente qui domina un clima più intenso, caratterizzato da ...

9

Album Review

Elliott Sharp: Syzygy

Read "Syzygy" reviewed by Don Phipps


Immaculately recorded by Italian label Dodicilune, Elliott Sharp's Syzygy continues Sharp's explorations of spontaneous and improvisatory sound. He and his collaborators offer up studio versions of Syzygy on the first disc and live versions of the material on disc two. As much modern classical as abstract jazz, it is the musical textures and abstractions that give the album its dream-like eeriness. The instrumentation offers a twist as well—eschewing drums, Sharp populates his music with computer devices, “objects," and ...

6

Album Review

Elliott Sharp: Chansons Du Crepuscule

Read "Chansons Du Crepuscule" reviewed by Don Phipps


In Chansons Du Crepuscule, the French multi-genre vocalist, harpist, composer and improvisor Helene Breschand hooks up with the multi-genre New York guitarist Elliott Sharp to yield spell-binding music of the first order. This fascinating collaboration crosses musical genres as easily as a nuthatch jumps from a birch tree to a cedar and then to a hickory. But since jazz has elements of all music embedded within its frame work, it's not a significant leap to suggest that Chansons Du Crepuscule ...

6

Album Review

Elliott Sharp: Err Guitar

Read "Err Guitar" reviewed by Don Phipps


Is this music from another world? Dense, complex, innovative, and chock full of improvisation, Elliott Sharp's Err Guitar seeks to establish a whole new vocabulary for the instrument. Joined by the significant guitarist Mary Halvorson and the always willing to experiment Marc Ribot, Sharp elevates the guitar trio using Stockhausen-like effects that blur rhythm and sound--offering a unique perspective on the language of the guitar and not just its musical sensitivities. All three guitarists contribute compositionally to the effort.


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