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Roy Hargrove's Crisol: Grande-Terre
by Chris May
Increasingly and with growing momentum, right up until he died at the young age of 55 in 2018, Roy Hargrove was a standard bearer for a new kind of African American jazz. The recipe embraced a variety of styles--jazz, Afro-Cuban music, funk, hip hop and soul--and it influenced a generation of musicians in jazz and beyond. But Hargrove never abandoned jazz, the foundation stone of his style. Instead he regarded other genres as part of a rainbow ...
Continue ReadingHendrik Meurkens: The Jazz Meurkengers
by Edward Blanco
When one thinks of the jazz harmonica, two names immediately come to mind, the late great Toots Thielemans and the incomparable Hendrik Meurkens whose new project The Jazz Meurkengers fully captures Meurkens' desire to produce a new and exciting swinging jazz album. While Meurkens learned to play the vibraphone first at the age of sixteen growing up in Germany and still does quite well, it is the harmonica that has become his preferred instrument of choice and the one he ...
Continue ReadingHendrik Meurkens: The Jazz Meurkengers
by Pierre Giroux
Harmonica virtuoso Hendrik Meurkens brought together an outstanding group of musicians in The Jazz Meurkengers, which is a swinging tribute to the allure of hard-bop jazz. Supported by the resourceful and highly adaptable rhythm section of pianist Steve Ash, bassist Chris Berger and drummer Andy Watson, the band was augmented by the impeccable guitarist Ed Cherry on four tracks and bebop tenor saxophonist Nick Hampton on four different tracks giving the ensemble the energy, creativity, and reverence of the jazz ...
Continue ReadingInterview With Al Chesis Of The Delta Sonics
by Steven Roby
This episode features an interview with Al Chesis from The Delta Sonics. Chesis has played in Colorado since the mid-1980s after moving to Denver from Washington, D.C. He played in the Mojo-Matics for five years, opening shows for Albert Collins, Elvin Bishop, Taj Mahal, Canned Heat, and others.The Delta Sonics music takes a Chicago Blues base and seasons it with Swing, Delta, N'awlins R&B, and some early Rock n' Roll. They were Westword's best blues band in Denver ...
Continue ReadingSteve Turre: Generations
by Dave Linn
Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...
Continue ReadingEd Cherry: Always Groovin’
by R.J. DeLuke
"I liked the look of it--I like the sound--the feel," says renowned guitarist Ed Cherry about the guitar, an instrument he has been playing for more than half a century. He long ago became a first-rate player with a warm sound and joyous approach. He is also diverse. He's played a myriad of styles ranging from the driving bebop of Dizzy Gillespie (with whom he played for over a decade) to the free jazz explorations of Henry Threadgill ...
Continue ReadingEd Cherry: Are We There Yet?
by Andrew Scott
In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the “stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually “drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, has also become “defined" through a series of maxims ("must swing," “must contain the blues," “must prefigure improvisation") that while articulating general truisms perhaps, ...
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