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About Ed Cherry

26

Album Review

Roy Hargrove's Crisol: Grande-Terre

Read "Grande-Terre" reviewed by Chris May

by Chris May

Increasingly and with growing momentum, right up until he died at the young age of 55 in 2018, Roy Hargrove was a standard bearer for a new kind of African American jazz. The recipe embraced a variety of styles--jazz, Afro-Cuban music, funk, hip hop and soul--and it influenced a generation of musicians in jazz and beyond. But Hargrove never abandoned jazz, the foundation stone of his style. Instead he regarded other genres as part of a rainbow ...

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8

Album Review

Hendrik Meurkens: The Jazz Meurkengers

Read "The Jazz Meurkengers" reviewed by Edward Blanco

by Edward Blanco

When one thinks of the jazz harmonica, two names immediately come to mind, the late great Toots Thielemans and the incomparable Hendrik Meurkens whose new project The Jazz Meurkengers fully captures Meurkens' desire to produce a new and exciting swinging jazz album. While Meurkens learned to play the vibraphone first at the age of sixteen growing up in Germany and still does quite well, it is the harmonica that has become his preferred instrument of choice and the one he ...

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6

Album Review

Hendrik Meurkens: The Jazz Meurkengers

Read "The Jazz Meurkengers" reviewed by Pierre Giroux

by Pierre Giroux

Harmonica virtuoso Hendrik Meurkens brought together an outstanding group of musicians in The Jazz Meurkengers, which is a swinging tribute to the allure of hard-bop jazz. Supported by the resourceful and highly adaptable rhythm section of pianist Steve Ash, bassist Chris Berger and drummer Andy Watson, the band was augmented by the impeccable guitarist Ed Cherry on four tracks and bebop tenor saxophonist Nick Hampton on four different tracks giving the ensemble the energy, creativity, and reverence of the jazz ...

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4

Radio & Podcasts

Interview With Al Chesis Of The Delta Sonics

Read "Interview With Al Chesis Of The Delta Sonics" reviewed by Steven Roby

by Steven Roby

This episode features an interview with Al Chesis from The Delta Sonics. Chesis has played in Colorado since the mid-1980s after moving to Denver from Washington, D.C. He played in the Mojo-Matics for five years, opening shows for Albert Collins, Elvin Bishop, Taj Mahal, Canned Heat, and others.The Delta Sonics music takes a Chicago Blues base and seasons it with Swing, Delta, N'awlins R&B, and some early Rock n' Roll. They were Westword's best blues band in Denver ...

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15

Album Review

Steve Turre: Generations

Read "Generations" reviewed by Dave Linn

by Dave Linn

Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...

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17

Interview

Ed Cherry: Always Groovin’

Read "Ed Cherry: Always Groovin’" reviewed by R.J. DeLuke

by R.J. DeLuke

"I liked the look of it--I like the sound--the feel," says renowned guitarist Ed Cherry about the guitar, an instrument he has been playing for more than half a century. He long ago became a first-rate player with a warm sound and joyous approach. He is also diverse. He's played a myriad of styles ranging from the driving bebop of Dizzy Gillespie (with whom he played for over a decade) to the free jazz explorations of Henry Threadgill ...

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3

Liner Notes

Ed Cherry: Are We There Yet?

Read "Ed Cherry: Are We There Yet?" reviewed by Andrew Scott

by Andrew Scott

In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the “stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually “drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, has also become “defined" through a series of maxims ("must swing," “must contain the blues," “must prefigure improvisation") that while articulating general truisms perhaps, ...

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