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Jazz Articles about Dave Holland

18
Interview

Dave Stapleton: Moving Edition Records With The Horizon

Read "Dave Stapleton:  Moving Edition Records With The Horizon" reviewed by Ian Patterson


The old market town of Newbury lies an hour or so from London, on the edge of the chalky Berkshire Downs. Like any 1,000-year-old English settlement, it has seen its fair share of history, but it is probably best known for its 200-year-old horse-racing course. Or perhaps Greenham Common holds that distinction. The WWII air force base gained international notoriety in the 1980s when nuclear-powered cruise missiles were stationed there, provoking prolonged protests by fiercely determined women who eventually prevailed. ...

16
Album Review

Kenny Wheeler: Gnu High

Read "Gnu High" reviewed by Chris May


Trumpeter, flugelhornist and composer Kenny Wheeler's exalted Gnu High, first released in 1976, is one of two albums with which ECM launches its audiophile vinyl reissue series, Luminessence, on April 28, 2023. The Luminessence mission statement is to showcase albums that have “changed perceptions of creative music making." And few would dispute this summation of the first batch of releases (listed below). Some of the albums will be presented in facsimile editions, others--such as Gnu High--in gatefold ...

3
Live Review

Dave Holland Trio Live At Yoshi's

Read "Dave Holland Trio Live At Yoshi's" reviewed by Roy Strassman


Dave Holland Trio Yoshi's jny: Oakland, CA February 20, 2023 The David Holland trio swung into Yoshi's in Oakland after kicking off the initial week of its present tour at NYC's Village Vanguard. His trio during this stint consisted of the notable musicians Kevin Eubanks on guitar and Eric Harland on Drums (Obed Calvaire handled the drums in NY). Holland began the set by introducing the musicians, stating that he would not ...

3
Liner Notes

Miles Davis Quintets: Stockholm 1967 & 1969 Revisited

Read "Miles Davis Quintets: Stockholm 1967 & 1969 Revisited" reviewed by Mark Corroto


Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 with the same man performing in Montreux, Switzerland some forty years later. Both his look and his sound had changed, making him unrecognizable to ...

1
Album Review

Miles Davis: Stockholm Live 1967 & 1969 Revisited

Read "Stockholm Live 1967 & 1969 Revisited" reviewed by Maurizio Comandini


Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al culmine della sua parabola artistica, con una musica raffinata e potente allo tesso tempo, tecnicamente complessa eppure resa con grande scioltezza, proprio grazie alla ...

Album Review

John McLaughlin: Where Fortune Smiles

Read "Where Fortune Smiles" reviewed by Maurizio Comandini


L'invito che Tony Williams fece a John McLaughlin, chiamandolo a New York per far partire l'intensa avventura musicale denominata 'Tony Williams Lifetime,' arrivò proprio quando lo stesso McLaughlin aveva magicamente trovato un suo punto di equilibro. Dopo aver lasciato intravedere interessanti bagliori nell'eccellente disco Things We Like di Jack Bruce (registrato a Londra a fine agosto del 1968, con Dick Heckstall-Smith ai saxofoni e Jon Hiseman alla batteria) il suo talento esplose nel bellissimo album di esordio Extrapolation, registrato a ...

6
Album Review

Walter Smith III & Matthew Stevens: In Common III

Read "In Common III" reviewed by Chris May


The third iteration of tenor saxophonist Walter Smith III and guitarist Matthew Stevens' In Common project is another delightfully lyrical and inventive affair. Each of the albums presents Smith and Stevens in the company of a different three-piece rhythm section. The first had vibraphonist Joel Ross, bassist Harish Raghavan and drummer Marcus Gilmore. The second had pianist Micah Thomas, bassist Linda May Han Oh and drummer Nate Smith. On In Common III, the quintet is completed by pianist ...


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