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About Christian Wallumrod
Mixtape: 15 Emerging Norwegian Jazz Musicians You Need To Know About
by Ludovico Granvassu
Over two hours of music to savor the breadth of today's Norwegian jazz and improv scene while reading 15 Emerging Norwegian Jazz Musicians You Need to Know About. That's 23 tracks showcasing the creativity of the most promising Norwegian players deserving wider recognition beyond their home country. Compiled by Luca Vitali. Happy Listening! Playlist Skrap + Trondheim Jazzorkester, “Pen nå_(feat. Emilie Nicolas)" from Antropocen (Forlaget Fanfare) 0:00 Skadedyr, “Culturen" from Culturen (Hubro) ...
Continue ReadingChristian Wallumrod Ensemble: Outstairs
by Vic Albani
Stabile abitante del sottobosco ECM da oltre tre lustri, Christian Wallumrød è davvero un musicista peculiare che usualmente sfugge all'analisi profonda di molte penne dell'universo della critica internazionale. Probabilmente (e, per fortuna, ci piacerebbe aggiungere) perché da almeno un ventennio riesce sistematicamente a sfuggire dall'orripilante mania dell'etichettatura. Per sfortuna sua, nei tempi moderni, questo è quasi un demerito, ed è forse proprio per questo che pochi ricordano la sua organica e multiforme discografia. Compone una musica intensa e organica; una ...
Continue ReadingChristian Wallumrod Ensemble: Outstairs
by John Kelman
After a four-year break following the biennial run of four recordings beginning with 2003's Sofienberg Variations and ending with 2009's Fabula Suite Lugano (all on ECM), Christian Wallumrød returns with Outstairs. Building on the strength of what came before, the pianist/composer continues to assert a clear identity with this slightly altered ensemble, not only capitalizing on its own intrinsic chemistry but that of two specific members--extant ensemble trumpeter Eivind Lønning and, replacing Baroque harpist Giovanna Pessi, tenor saxophonist Espen Reinertsen--whose ...
Continue ReadingChristian Wallumrod Ensemble: Fabula Suite Lugano
by John Kelman
With The Zoo is Far (ECM, 2007), Norwegian pianist Christian Wallumrød introduced a group that expanded on the unique sonorities of his other, same-titled Christian Wallumrød Ensemble. That other Ensemble--the quartet responsible for A Year From Easter (ECM, 2005), and which gave an equally nuanced performance at Molde Jazz 2009--explored the nexus of improvisation and composition, rooted in traditional Norwegian folk music, and Wallumrød's personal synchronism of contemporary and Baroque classicism. The six-piece Ensemble of The Zoo began a fundamental ...
Continue ReadingChristian Wallumrod Ensemble: Fabula Suite Lugano
by David McLean
Christian Wallumrød has that rare gift of having an instantly recognizable sound. The pianist's music is characterized by unique blend of early music, romanticism, and traditional Scandinavian folk music idioms played with the looseness of jazz and academic curiosity reminiscent of two of his major influences, John Cage and Morton Feldman. Wallumrød has managed to harmonise these contradictory elements to create a wondrously obscure new music. However, the sound is never dependent on the polarity of these oppositions; its existence ...
Continue ReadingChristian Wallumrod: The Zoo Is Far
by Budd Kopman
With The Zoo Is Far, pianist/composer Christian Wallumrød increases his compositional control of the musical forces, now a sextet, at his disposal. This is music of the interior mind, which has an intensity fused to a melancholic beauty. It is mesmerizing, while existing at the boundary of composition and jazz. The quartet that appeared on A Year From Easter (ECM,2005)--Wallmurød, Arve Henriksen (trumpet), Per Oddvar Johansen (drums, percussion), Nils Økland (violin, Hardanger fiddle, viola)--has been augmented with ...
Continue ReadingChristian Wallumrod Ensemble: The Zoo is Far
by John Kelman
Like many Scandinavian musicians, pianist Christian Wallumrod leads a double life. As a collaborator with artists including singer Sidsel Endresen, saxophonist Karl Seglem and guitarist Jon Eberson, he's an electric player capable of fitting into more jazz-centric (albeit often Nu Jazz) contexts. On his all-acoustic ECM discography, however, he's led a series of groups exploring a space that joins increasing interest in classical composers with improvisation that's largely part of more defined constructs. Unlike fellow Norwegian Trygve Seim, who similarly ...
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