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Ithamara Koorax: Opus Classico
by Chris M. Slawecki
Throughout her career, Ithamara Koorax has consistently exercised a singing voice that approaches the eternal; Ira Gitler once famously described Koorax's singing as celestial elegance." On Opus Clássico, that amazing voice finds material to match: Vocal and vocalized melodies written by such master composers as Frederic Chopin, Claude Debussy, Sergie Rachmaninoff and Heitor Villa-Lobos, lovingly and gorgeously rendered by Koorax's astounding voice in tandem with pianist Filipe Bernardo and guitarist Rodrigo Lima (who worked with Koorax on Arirang [2010, EMI]). ...
Continue ReadingIthamara Koorax: Bim Bom - The Complete Joao Gilberto Songbook
by Raul d'Gama Rose
Ithamara Koorax Bim Bom: The Complete João Gilberto Songbook Motema Records 2009 João Gilberto did not just epitomize bossa nova, The New Thing" that he virtually invented, but he also brought his new, laconic vocal style to Brazilian music. So deeply passionate and idiosyncratic was his pronounciation and intonation that he could wail and groan with equal lyricism. Pitch did not seem to matter as mood and emotion often took precedence ...
Continue ReadingFabio Fonseca Trio: Opus Samba
by Chris M. Slawecki
Arnaldo DeSouteiro produced Opus Samba to feature Fonseca's funky Hammond B-3 organ in his trio with Pedro Leao (bass) and Mac William (drums). Though you won't hear any jazz standards on its set list or many harmonically adventurous jazz solos in its jams, the very musical way that Fonseca and friends blend together jazz, Brazilian, Latin and soft funk rhythms makes Opus Samba a nearly perfect jazz trio set.
Samba de Nanh" crisply yet softly opens this Opus ...
Continue ReadingIthamara Koorax: Brazilian Butterfly
by Chris M. Slawecki
Except for two ballads--the cosmopolitan Carinhoso with her Brazilian jazz fusion compatriots Azymuth, and Herbie Hancock's title track--Ithamara Koorax's ninth album is her most adventurous release. It seems constructed to honor legendary Brazilian vocalist Flora Purim and her husband/bandleader/percussionist Airto. This Brazilian Butterfly soars and flutters while multiple percussionists (often as many as four on the same song, most often led by the late and legendary Dom Um Romão, with Koorax frequently flailing away among them) knit together, pull apart, ...
Continue ReadingThiago de Mello & Dexter Payne: Another Feeling
by Chris M. Slawecki
Have you ever walked alone through a quiet beautiful woodland and stepped into an open space full of nothing but warm and growing brightness, and felt like nature was a cathedral and you were seated in its front row? Another Feeling sounds just like that: completely, naturally, immaculate and beautiful.
Dexter Payne on clarinet and alto saxophone creates this Feeling with writer/ arranger Thiago de Mello on acoustic piano, guitar and organic percussion, handmade instruments personally crafted from ...
Continue ReadingIthamara Koorax: Autumn in New York
by Chris M. Slawecki
Spilling over with jazz and pop classics, Autumn in New York is probably the best program yet from blossoming Brazilian vocalist Ithamara Koorax.
Like almost every other female vocalist from Brazil, Koorax sounds influenced by Flora Purim--heard, for example, in her fearless hopscotch jumps across the endpoints of her entire vocal range. Also like Purim, Koorax has been tinted by classic jazz harmonies and phrasings--and not just by vocalists (though Ella Fitzgerald and Shirley Horn are obvious influences), ...
Continue ReadingIthamara Koorax: Love Dance: The Ballad Album
by Chris M. Slawecki
Ithamara Koorax has released several albums in Brazil and Japan, but Love Dance is only the second US album for this star from Rio, the follow-up to her debut Serenade in Blue.
With her unmistakable voice, Koorax sings English, Portuguese, and Spanish love songs composed by such masters as Antonio Carlos Jobim, Luiz Bonfá, Marcos Valle and Ivan Lins, plus songs by Claus Ogerman and Jurgen Friedrich (in German). Her voice manifests this diversity to its advantage: ...
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